生活方式變遷與傳統(tǒng)苗族紋樣設(shè)計研究.pdf

1、原創(chuàng)性聲明本人鄭重聲明：所呈交的學(xué)位論文是本人在導(dǎo)師的指導(dǎo)下獨立進(jìn)行研究工作所取得的成果，論文中有關(guān)資料和數(shù)據(jù)是實事求是的。除文中已經(jīng)注明引用的內(nèi)容外，本論文不含任何其他個人或集體已經(jīng)發(fā)表或撰寫過的研究成果。對本文的研究做出重要貢獻(xiàn)的個人和集體，均已在文中以明確方式標(biāo)明。若有不實之處，本人愿意承擔(dān)相關(guān)法律責(zé)任。學(xué)位論文作者簽名：能鑫峰日期：沙I年t2，月1日學(xué)位論文版權(quán)使用授權(quán)書學(xué)位論文作者完全了解北京服裝學(xué)院有關(guān)保留和使用學(xué)位論文的規(guī)

2、定，即：研究生在校攻讀學(xué)位期間論文工作的知識產(chǎn)權(quán)單位屬北京服裝學(xué)院。學(xué)校有權(quán)保留并向國家有關(guān)部門或機(jī)構(gòu)送交論文的復(fù)印件和電子版，允許學(xué)位論文被查閱、借閱和復(fù)印；學(xué)?？梢詫W(xué)位論文的全部或部分內(nèi)容公開或編入有關(guān)數(shù)據(jù)庫進(jìn)行檢索，可以允許采用影印、縮印或其它復(fù)制手段保存、匯編學(xué)位論文。保密的學(xué)位論文在解密后適用本授權(quán)書。學(xué)位論文作者簽名：導(dǎo)師簽名：哺毒峙日期：銣f弓年I乙月1日日期加肜年廠汐7日LIFESTYLECHANGEANDTRADIT

3、IONALMIAOPATTERDESIGNItESENRCHAbstractMiaohasalonghistoryisallimportantsourceofChinesehistoricalcivilization，kindlyandMiaopeoplecreatednationaldecorativeartscolorfulFromthedecorationrich，wecanseetherichimagination，creati

4、vityandinheritanceofMiaonationalitywomeninthecultureofthewonderfulaestheticconsciousnessandcreativeskillperformanceskillsAnycountryandnationartdevelopmentandaestheticideasareitsuniquesocialeconomic，political，religious，cu

5、ltural，naturalenvironmentbackgroundconditionsandlaborpracticesocietycloselyrelatedIntraditionalMiaosocietyspecificnaturalenvironment，thusderivedfromtraditionalMiaopatternthatwasfilledwithwondernaturalobjectmodeling，allre

6、flecttheirloveofnatureandthedesireforabetterlifeTraditionalMiaopatternsasavisualartlanguageinadditiontothedecorativeeffectofitselfwiththeoutside，andtheuniqueaestheticcharacteristics；Foralackofwrittenrecordsoftheminorityi

7、salsoplayingarecordingfunctionofimportanthistoricalandculturalinformationTraditionalMiaopatternsasasymbolofculture，ithasanimageindicativeandhistoricalvalue，animportantfeatureoftherichmateriallifeandculturallifearecondens

8、edpatternsymbolattachedtotheMiaowomenclothing，ThesepatternsinthesuccessionfromgenerationtogenerationintheformofacontainstheformandmeaningofvisualartsymbolsystemEffectsofthelifestylechangestothetraditionalMiaopatternmodel

9、ing，colorproductionprocessandtheaestheticideasgeneratedasthemainthreadtodiscuss，NewtotemsymbolanalysisandcomparisonofdifferentperiodsoftraditionalMiaopattemsinthehistoricaleventsandculturalchangeundertheinfluenceofthevar

10、iation，toexploretheseprimitiveMiaopatternsthatoccurinandforeignculturalexchangeandtechnologychangeconditions；Inthecommercialworld，theculturalthoughtofhisownsurvivalofthestatusanddevelopmentdirectionoftraditionalMiaopatte

11、rns，F(xiàn)romthemoderndesignartcontextandaestheticorientationasthestartingpoint，triestocombinethetraditionalMiaoartelementsgivestheculturalconnotationofthetimes，SummarizeandsumuptherelatedtraditionalMiaopatternsofsustainableI