清代文人畫與日本文人畫之比較.pdf

1、Y76D613學(xué)畦m‰J啦L趣#o女q一一#號強(qiáng)2趟福建師范大學(xué)碩：l：學(xué)位論文浙代史^面與日拳文人西之比鞍Th●(bm艫。；，。nOfThel，ltr。ih師￡ln電ingD，no，ⅫwimThailnJ3N口盧蓉學(xué)辯々韭t箍求學(xué)研穿自甍米史治插學(xué)敬舒：捃榭2敬播申iA學(xué)位鏹剞≈文學(xué)礤士清代文J、酉與日本文J、酉之此較AbstractThispaperattempts，throughthecomparisontheJapaneseli

2、teratipaintingtotheQingDynasty’S，torevealdeepcultural，strongsubjectiveconsciousness，uniquebrushandinkfeelingsofliteratipaintinginQingDynasty，andtheopeningattitudeoftheJapaneseliteratipaintinganditswholecoursesuchasintrod

3、uction，integration，shaping，independent，whichembodiesaSuccessexampleof”thedoctrineofreference”inJapanesepaintinghistoryItismeaningfulintheaspectsofhistoryandrealitytocomparethebothThistextexpandsfromthefollowinglevels：fir

4、stlyitsketchestheexchangehistoryoftwocountries’paintingverticallywhichoffersapieceofcomparingspacefortwo，andthenithorizontallycomparesandanalysesthepaintingthoughtsoftheliteratipaintinginQingDynastyandinJapanfromsuchdiff

5、erenceastwocountries’geographypolitics，economy，culture，etcThirdly，italsoanalyzesandcomparestheirpaintingformsfromtheirinheritingformergenerationandtheirowndevelopmentandartisticstyles，creatingmethodsandSUbjects，etcTheref

6、ore，itwitnessesachievementsofliteratipaintinginQingDynastyandhasindicatedanaftereffectinitscontinuousdevelopmentInthebeginningoftheconception，theauthortakespainstomakethelocationofthisthesisasamodestspurinducingothervalu

7、ableviewandstrivestodeduceitclearlyandopenpeople’StrainofthoughtsThou【ghthereiSnotaripeconclusionastheABethesison“historicalworksoffinearts”ithasshowntheauthor’Sinterests，considerations，questionsandthediscussionKeywords：