黑衣壯山歌文化的內涵與現代審美價值.pdf

1、廣西師范大學碩士研究生學位論文Y784960黑衣壯山歌文化的內涵與現代審美價值TheconnotationandmodemaestheticvalueofBlack—clothesZhuang’Sfolksongculture院系：中文系年級：2002級專業(yè)：美學研究方向：審美人類學導師：王杰教授海力波副教授研究生：尹慶紅完成時間：2005年5月TheconnotationandmodernaestheticvalueofBlackcl

2、othesZhuang’sfolksongcultureAbstractAestheticanthropologystudies，inthebackgroundofglobalization，thechangesofaestheticcultureandartpracticeinsmallandweaknationsandmarginalgroupsEspeciallybecauseoftheimpactofmodemeconomyte

3、chnologyandculturebroughtbyglobalization，thetraditionalcultureofthesinailandweaknationsandmarginalgroupsisconfrontedwithgreatchallengesWhataretheirpossibilitymode，motivationandmechanismifthetraditionandmodemlifecombine，w

4、hethertheycanobtaintheirownexistingspaceandvoicetheirnationalculturewhencultureismultilizedandsoonarewhataestheticanthropologymustprobeintoAestheticanthropologyconsidertheartsandaestheticactivitiesofslftallnationsareconn

5、ectedcloselywiththeexperienceofactuallire。andaestheticvaluenottobeseparatedfrompoliticalvalue，economicvalueandethicalvalueAsaresult，aestheticactivitiesshouldbestudiedonlYwhentheyarePutinconcretesocialchangesandcalturalen

6、vironmentsothattherichnessofitsculturalconnotationandaestheticvaluecanbeknownandsoastofindtheconnectionbetweenaestlleticactivitiesandactuallifeThespecialgroupcultureofBlackclothesZhuang，abranchofGuangxiZhuang，wasunknowno

7、veraperiodoftimeHoweverjthasrecentlydrawnourattentionsgraduallywhenthetraditionalcultureisexperiencingenormoustransformationandchanges，influencedbypolitics，economyandexoticculturesInthekenofaestheticanthropologytakeBlack

8、clothesZhuang’sfolk—songcultureasthestudyobjectbasedonthefieldinvestigationinBlackclothesZhuanganditsfirsthandmaterialsthetextpreliminarilystudiestheirfoll【一songculture’sheadstreamsortsandsingingcustoms了heauthorthinkthat

9、Zhuang’sfolk—songcultureisakindofaestheticideologyandfolksongarts’connotationexistsinthewholeprocessofthesingactivitiesarenotinartsymbolisolatedandstaticApproachesthefolksongculture’srichconnotationfromtheanglesofsingers

10、andsingingmasters’formation，theessenceoflovesongsthemeaningofsingingfestiralsandsoonIn也eCOurseofmodernizationBtackclo出esZhuang’sfolksongculturedoesnotdisappearbutopenouttheirabundantaestheticconnotationandmeaningafterthe

11、yusetheadvantagesbroughtbythemodemizationBlackclothesZhuangusefolksongsasacarriertostrengthentheirgroupsenseandculturalidentificationDuringtheexchangesandinteractionswithexoticculturesitsculturalselfconsciousnesshasbeeng

12、raduallybuiltup，andhasshowntheirspecialsenseofculturalcompetitionandexpressingmodeintheprocessofresistingtheculturaloppressionTheyalsopositivelystudynewapproachestopromotetheirsocialdevelopmentwithmeirculturalresourceThe

13、modemchangesofBlackclothesZhuang’sfoⅨ一songcultureshowthatculturalglobalizationisallinevitablehistorictrend，butglobalization／nativization，modemization／nationalizationcannotmakeupofasimplerelationofoppositionandcollisionsi