關(guān)中石獅拴馬樁藝術(shù)研究

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2、論文使用授權(quán)的說(shuō)明 關(guān)于論文使用授權(quán)的說(shuō)明 本人完全了解西安美術(shù)學(xué)院關(guān)于保留、使用學(xué)位論文的各項(xiàng)規(guī)定， (選擇“同意”/“不同意”) 以下事項(xiàng): 1.學(xué)校有權(quán)保留本論文的復(fù)印件和磁盤， 允許論文被查閱和借閱， 可以采用影印、縮印或掃描等復(fù)制手段保存、匯編學(xué)位論文; 2.學(xué)校有權(quán)將本人的學(xué)位論文提交至清華大學(xué)“中國(guó)學(xué)術(shù)期刊(光盤版)電子雜志社”用于出版和編入 CNKI《中國(guó)知識(shí)資源總庫(kù)》或其他同類數(shù)據(jù)庫(kù)，傳播本學(xué)位論文的全部

3、或部分內(nèi)容。 學(xué)位論文作者簽名: 簽字日期: 導(dǎo)師簽名: 簽字日期: 關(guān)中石獅拴馬樁藝術(shù)研究 Subject:The guan zhong region stone lions tied hitching post art research Specalty：Fine Arts Name: Instructor: ABSTRACT T

4、ied mashi is excellent folk sculpture art in guanzhong area, since the 1980 s by attention to suffer the praise highly of people, and stone lions class tied mashi is tied mashi of high-quality goods. This article will t

5、o shishi tied mashi itself as the main line, from its form and artistic performance in two different point of view the case for research. The first chapter is about the Chinese stone carving art course combing and tied

6、 mashi basic concepts of the guanzhong region. Shishi in the guanzhong area tied mashi study must first clear two points: 1. The stone carving art. 2. Tied mashi guanzhong area. The first section of this chapter is divi

7、ded into three sections: combing the lion from into China to later by people of the whole process and the development of stone art of China and for the stone image appeared in the guanzhong tied mashi pile first above pr

8、ovides a theoretical basis. The second section analyzes the distribution and structure and the modelling of tied mashi characteristics. Third section carding predecessors to the appellation of the argumen

9、ts and the study of the cohort. The second chapter is the guanzhong shishi tied mashi cause analysis of the various possibilities. This chapter from the guanzhong area special geographical position characteristic

10、 of the traditional local-style dwelling houses building form; Shishi culture including door lion, stone carving artist choice; And stone for GuanZhongRen three aspects discusses the significance of the

11、guanzhong region in shishi tied mashi inevitability. The third chapter is the art of shishi tied mashi performance analysis. Is divided into three sections: 1. The pure shishi class tied mashi shishi modelling

12、technique and artistic characteristics of the analysis and study of a variety of stone lions. 2. The analysis and research of the characters and the lion combination type tied mashi. 3. Tied mashi pedestal au

13、spicious pattern analysis. Conclusion part, through the study of shishi tied mashi DPT: any folk art form of occurrence, development and decline is the result of the fusion of various factors under the collision; Remin

14、d me again later in the artistic creation, can draw lessons from its stylized combined with a free play of modelling techniques. In this paper, through the study of shishi tied mashi, hope can for the people in the