攝影對(duì)中國(guó)寫實(shí)主義油畫創(chuàng)作的積極作用

1、 編 號(hào)： 碩士學(xué)位論文 碩士學(xué)位論文 題 目：攝影對(duì)中國(guó)寫實(shí)主義油畫創(chuàng)作的積極作用 培 養(yǎng) 單 位： 沈陽師范大學(xué) 美術(shù)與設(shè)計(jì)學(xué)院 專 業(yè) 名 稱： 美術(shù) 指 導(dǎo) 教 師： 廣廷渤 研 究 生： 張創(chuàng) 完 成 時(shí) 間： 2015 年 3 月 沈陽師范大學(xué)研究生處制 類 別 全日制研究生 教育碩士 同等學(xué)力 2 continuously brace the past and the future

2、 in order to make progress. In that sense, photography is both a competitor and a companion of realistic painting. Key word： Realistic art; Photography; Positive effect; Art creation Abstract：Due to the interaction of va

3、rious reasons, in China, Realism has always been the mainstream style among different types of oil painting. This article is developed based on such background, and it is composed of three parts. Part I analyzes the acti

4、ve role that photography plays in realistic oil painting through defining the border of realistic oil painting, and also analyzes the relationship between realistic painting and photography. Part II depicts the combinati

5、on of realistic painting and photography, mainly from three aspects, including seeing art taste and culture as a standing point, combing “realism” and “return-to-the-reality concept”, and using different techniques as re

6、ferences. Part III mainly discusses the active impact of photography on Chinese realistic oil painting. From three different angles, they are the active impact on creation concept, on choosing theme, and on modelling det