舞龍習俗與民族文化認同研究

1、舞龍習俗與民族文化認同研究論文隨機驗證編號：BT618161857IV 摘要 摘要 舞龍習俗是中華民族較為普遍的文化現(xiàn)象，雖然不同地域，不同民族對于龍的理解，以及舞龍的習俗存在著一定的差異，但是中華民族對舞龍卻有著共同的神靈信仰、審美情趣和民族文化認同。本研究運用文獻資料法、訪談法、田野調查法、邏輯歸納法，以及問卷調查法和數(shù)理統(tǒng)計法等科研方法，以舞龍習俗與民族文化認同的內在聯(lián)系作為切入點，以詮釋舞龍習俗的當代價值為落腳點展開深入研究。

2、本研究認為：舞龍習俗源于古代的祈雨祭祀舞蹈，它與古老的自然崇拜、圖騰崇拜和祖先崇拜等信仰有著密切關系，這也構成了舞龍習俗重要的文化基石和源泉。它作為寄托著廣大民眾情感的民俗事象，極大地滿足著中國鄉(xiāng)土社會民眾的精神需求。它的原始文化意象主要體現(xiàn)在禳祓性象征、祈福性象征、生殖性象征，以及喜慶性象征四個方面。因此，它也成為鄉(xiāng)土社會歲時節(jié)日和廟會社火等文化空間中的重要展演內容，實現(xiàn)了官方與民間走向互動的重要橋梁。隨著社會的發(fā)展，舞龍習俗更是成為

3、了中華民族一種共同的文化符號，具有“多元一體”的文化特征，在中華民族中產生了牢固、強烈的民族文化認同感和內聚力。舞龍習俗的原始價值帶有濃重的原始迷信色彩，廣大民眾信奉舞龍能夠給他們納福、禳災、旺丁興族，以此追求一種精神上的滿足。然而，傳統(tǒng)舞龍習俗的價值功能也面臨著現(xiàn)代化的轉型，表現(xiàn)為：舞龍習俗中的文化傳承功能得到彰顯；教化功能得到發(fā)揮；健身娛心功能得到擴展；審美功能得到延續(xù)；民族凝聚功能得到強化。舞龍習俗作為一種民族文化認同的集體行為儀

4、式，已成為中華民族的文化自覺。它不僅是中國人歡度春節(jié)、表達喜悅之情的重要娛樂手段，而且也是凝聚中華民族的重要精神紐帶，并作為國家安定、人民祥和的文化象征符號得到了中華民族的普遍認同。因此，在當代語境下，我們應該取其精華，去其糟粕，充分利用中國傳統(tǒng)舞龍習俗特有的文化價值，喚醒中華民族的“文化自覺” ，尤其使青少年在舞龍的過程中得到民族自豪感和歸屬感，以提升中華民族的集體意識，增強民族凝聚力和自信心，從而更加有助于民族精神的弘揚與培育。通過

5、調查我們發(fā)現(xiàn)，長期舞龍運動的實踐和教育，不僅可以傳授中國優(yōu)秀的傳統(tǒng)文化知識，培養(yǎng)青少年全面的身心素質和團結協(xié)作精神，而且對青少年的民族情懷、民族凝聚力和中華民族精神的加強都具有舞龍習俗與民族文化認同研究論文隨機驗證編號：BT618161857VI ABSTRACT The custom of Dragon Dance is a common cultural phenomenon of Chinese nation

6、. Despite the differences in understanding of dragon and the differences in performing in different parts of the country and different ethnic groups, the whole nation share the same religious and aesthetic int

7、erest and cultural identity of nationality. Utilizing many research methods, such as literature review, interviews, field investigation, logical induction, questionnaire and mathematical statistic analysis, this resear

8、ch treats the inner relationship between customs of Dragon Dance and cultural identity of nationality as a point of penetration, and probes deeply and further into such a field through demonstrating the modern value of

9、Dragon Dance. This research indicates that the custom of Dragon Dance originates from a Chinese ancient sacred dance praying for rain. This kind of dance shares tight relations among the worship of nature, totem and ance

10、stor. As a folk event embodying people’s emotions, Dragon Dance satisfies to a great extent the spiritual demand of Chinese folk people, and the integration between Dragon Dance and primitive folk culture can be reflect

11、ed into four aspects, namely the wish to dispel evil and pray for happiness, a symbol of reproduction worship and a way for entertainment. Thus, Dragon Dance becomes a major exhibition activity in Chinese folk commu

12、nities, especially in various cultural spaces, such as festivals and temple fairs, serving as a significant bridge between the authorities and the folk communities, which are involving in more interactions.

13、 With the social development, the custom of Dragon Dance has become a common cultural symbol which holds multiple cultural meanings and produces a tight, strong national identity and cohesive force. The original value

14、of Dragon Dance has obvious superstitious functions and meanings. Folks believe that Dragon Dance could help them pursue happiness, avoid evil and give birth to more offspring. So, Dragon Dance is able to satisfy the

15、spiritual demands of folks. However, the value and functions of Dragon Dance must be adapted to this modern era. This transformation mainly manifests the enhancement of its functions of cultural inheritance, e