詩(shī)意電影文化鄉(xiāng)愁——論霍建起電影的藝術(shù)特點(diǎn)和文化內(nèi)涵

1、學(xué)位論文原創(chuàng)性聲明 學(xué)位論文原創(chuàng)性聲明本人鄭重聲明：所提交的學(xué)位論文是本人在曲阜師范大學(xué)攻讀碩士專(zhuān)業(yè)學(xué)位期間，在導(dǎo)師指導(dǎo)下進(jìn)行的研究工作和取得的研究成果。除文中已經(jīng)注明引用的內(nèi)容外，本論文不包含其他個(gè)人（或集體）已經(jīng)發(fā)表或撰寫(xiě)過(guò)的研究成果。其他個(gè)人和集體對(duì)本研究所做的貢獻(xiàn)均已在論文中作了聲明并表示了謝意。作者簽名：日 期：學(xué)位論文使用授權(quán)聲明 學(xué)位論文使用授權(quán)聲明研究生在校攻讀學(xué)位期間論文工作的知識(shí)產(chǎn)權(quán)單位屬曲阜師范大學(xué)。學(xué)校有權(quán)保存本

2、學(xué)位論文的電子和紙質(zhì)文檔，可以借閱或上網(wǎng)公布本學(xué)位論文的部分或全部?jī)?nèi)容，可以采用影印、復(fù)印等手段保存、匯編本學(xué)位論文。學(xué)?？梢韵驀?guó)家有關(guān)機(jī)關(guān)或機(jī)構(gòu)送交論文的電子和紙質(zhì)文檔，允許論文被查閱和借閱。 （保密論文在解密后遵守此規(guī)定）保密論文注釋?zhuān)罕緦W(xué)位論文屬于保密論文，保密期限為 年。導(dǎo)師簽名： 作者簽名：日 期： 日 期：AbstractIIAbstract“Jianqi huo as is unique in contemporary C

3、hinese film director, his films inherited the fifth generation movie director deep aesthetic characteristics of implicative, both pursuing new and change the characteristics of the“ sixth generation “directors, film indu

4、stry is unique in China.And it works but low-key prize-giving, his works only beautiful romance, is the pursuit of video content on the performance of ordinary people in daily life and good sentiments. His film on thebas

5、is of Chinese traditional culture, is committed to build the artistic conception of Chinese traditional aesthetics, and reveal a prose or poem means to keep tabs on the art of feelings, become conscious throughout the co

6、urse of the jianqi huo director to create the stylecharacteristics. Jianqi huo film from the prose in the narrative literature factors, formed a kind of meaningful form of structure, the structure form of is really simpl

7、e, like the original life itself,and created a kind of atmosphere and emotional appeal. Instead of thinking about the movie is not the life conflict reinforcement and together, also did not put all the characters around

8、around a central conflict, don't write the process of conflict, also need not a few long frame structure,jianqi huo make full use of the film and the narrative literature has free of space and time,\“ thecharacterist

9、ics of the scene without limit. Jianqi huo film is not much, but every book become a classic, rich aesthetic colors in the movie, the unique artistic sense, to the audience left a deepimpression, and become a recognized

10、literary film director in the film industry.Writing of this paper, based on the theory of “poetic“, and close reading of jianqi huo films,examine the film of the “poetic“ style and the culture “the return of the native“

11、under the“nostalgia“ emotional awareness. First of all, for jianqi huo film creation experience, and the creation of the phased characteristics of comb, personalized style of its film was summarized andanalyzed. And comb

12、ined with its representative works of the “poetic“ style in the movie isanalyzed, mainly from the lens, colour, language and so on several parts. In form based on theanalysis of the style, the paper explore jianqi huo na

13、tive cultural theme of the film, into culturalnostalgia consciousness and jianqi huo jianqi huo movie film culture and aesthetic significance of several parts, such as combination “and the man that dog“, “warm“ and “xiao

14、“, like “thelover's knot is discussed.In the 21st century today, the establishment of the people consciousness of traditional culture, is under the influence of western culture, ethnic identity anxiety caused by the

15、cultural identity, an era of attachment to the root of the nation and to remain. So, it is characterized by adeep sadness and nostalgia, as well as the desire to native culture. This kind of nostalgia and the return of t

16、he native desire, is the era of dramatic change is common social phenomenon. Theholding of the traditional culture, also exists in the form of images. Thesis writing based on the era of globalization, China's moderni

17、zation under the background of the era of big, the creation of jianqi huo depth discussion. Writing is not confinedto film the text itself, but with the local culture, traditional Chinese aesthetics, globalization theory