清澹退靜 素以為絢——王淵、張中水墨花鳥(niǎo)畫(huà)技法研究.pdf

1、西安美術(shù)學(xué)院碩士學(xué)位論文清澹退靜素以為絢——王淵、張中水墨花鳥(niǎo)畫(huà)技法研究姓名：王亮申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：李鴻照20090301Subject：WangYuan，ZhangZhong’stherepresentativesproductionandcarriesontheexplanationMajor：AestheticsAndEducationName：Instructor：ABSTRACTTheYuanDynast

2、ywaterinkflower—and—birdpaintingstylemassiveappearances，whicharethewriterestheticappealandculturalideamanifesting，alSOarethepainterreposestheinterestself—entertainmentmanilestingSimultaneouslytooktheflower—and—birdpainti

3、ngfromfinelywroughttotheenjoyablestyletransitionalstage，regardingtheflower—and—birdpaintingstyledevelopmentandthepicturewindevolution，theYuanDynastywaterinkflower—and—birdpaintinginmethodicalness，thedrawingtechnique，thep

4、ictureprincipleinheritanceanddevelopsthefunctionwhich1inkstheprecedingwiththefollowingThisarticleselectsintheYuanDynastywaterinkflowerandbirdpaintingtohaverepresentatiretwopainter一一WangYuan，ZhangZhong’Stherepresentatives

5、productionandcarriesontheexplanationFirstbymeansofthepainterofbackgroundmaterial，thetutelagepointofviewandthepainterassociatesthroughthehistoricaldatarecordandthepoemrewardlanguageconductstheresearch，andpacksupWangYuanan

6、dZhangZhong’Sworkhistoricaldatarecord，againbycontrastwithWangYuanandZhangZhong’Sworkrecordandtheextantpicturemark，andthencarriesonthedescriptiontotheworkstyle，transitingthedisciplingfrom，theinfluenceofpainterworksFinally

7、articleparsesWangYuanandZhangZhongwaterinkflower—and—birdpaintingrepresentsworks，andcarriesontheexplanationfromfouraspectssuchasthedrawingcharacter，thearrangement，thematerialquality，themodelling，andcarriesonthereferencew

8、iththesametimepainter’Swaterinkflower—and—birdpaintingtocompare，andcarriesonexperienceandapperceptionofmanyestheticideasandthevisualcustomoftheYuanDynastyflower—and—birdpaintingtone，style，significationetcAndtherearetheco