呂天成《曲品》戲曲美學之“中和”觀_34116.pdf

1、四川師范大學碩士學位論文呂天成《曲品》戲曲美學之“中和”觀姓名：喻和平申請學位級別：碩士專業(yè)：美學指導教師：鐘華20100411AbstractLvTianchengandhisworksQuPinhaveanimportantplaceinthehistoryofChineseoperaItnotonlycollectslotsofoperawritersandworks，butalsoputsforwardthecorrespond

2、ingevaluationcriteriononthelanguage，temperament，theme，plot，structureandcharacterinthedramacreatingAsthecoreconceptsofChina’SclassicalOperaaesthetics，NeutralizationisreflectedinallaspectsofChinesecivilization，showingtheun

3、iquecultureaestheticvalueoftheChineseWefoundthattheoperaaestheticsaestheticofQuPinisacomprehensiveViewafterthecomprehensiveanalysisItisreflectingthecomprehensivebeautyofoperaaestheticsThearticleisdividedintofourparts：Fir

4、st，ProposingtheimportantroleofLvTianchengandQuPininthehistoryofdramatictheoryMadingthenewissueafterresearchingthepreviousstudiesThispartmainlyelaboratesthemajorsourcesandsignificanceofthetopicsSecond，showingtheoverviewof

5、LvTianchengandtheoverallsituationofQuPin，includingthewritingtime，style，size，version，andtheevaluationcriterionThird，analyzingtheprocessandemergencedevelopmentoftheaestheticaspects，discussingitsaestheticfeatures，andintrodu

6、ctingitintothefieldofoperacriticismExploringthebeautyofreflectingNeutralizationinthesubjecttheme，plotstructure，operalanguage，aestheticandenlightenmentItisaboldattempttointroducethetheoryintoevaluationpracticeAnditismorec

7、hallengingtoanalysisofspecificworksofdramawiththetheorySothepaperhasdeficienciesmoreorlessinthetheoreticalaswellasthecombinationoftheoryandpracticeUrgingthefuturescholarslearnfromeachothertoenrichthedramaaesthetictheoryK