從創(chuàng)傷的角度研究出租車司機(jī)、生于七月四日和獵鹿者中越戰(zhàn)帶給美國的影響

1、編 號： 碩士學(xué)位論文 碩士學(xué)位論文 題 目： A Study of the Vietnam War’s Impacts on the U.S. from Trauma Perspective in Taxi Driver, Born on the Fourth of July and The Deer Hunter 從創(chuàng)傷的角度研究 《出租車司機(jī)》 、 《生于七月四日》和《獵鹿者》中越戰(zhàn)帶給美國的影響 培 養(yǎng) 單 位： 外國

2、語學(xué)院 專 業(yè) 名 稱： 英語語言文學(xué) 指 導(dǎo) 教 師： 王建會 研 究 生： 包愛萍 完 成 時 間： 2015 年 5 月 沈陽師范大學(xué)研究生處制 類 別 全日制研究生 √ 教育碩士 同等學(xué)力 i ABSTRACT The Vietnam War was the longest in U.S. history and it was also the greatest war material con

3、sumption. The war not only led to numerous losses of the stuff and finance, but also a physical and psychological trauma to Americans. This thesis focuses on the effects of the Vietnam War on American civilians, soldiers

4、 and the policies in the United States and the trauma caused by the war. Three movies The Taxi Driver, Born On the Fourth of July and Deer Hunter about the Vietnam War are selected as texts and analyzed from the perspect

5、ive of trauma theory. This thesis studies the three movies in the context of the Vietnam War as a collective, cultural, and war trauma. The thesis shows us the influence brought by the Vietnam War to the Americans throug

6、h the analysis of these three movies with trauma theory. In China, little attention has been paid to the influence brought by the Vietnam War to the Americans in film studies. The scientific study of trauma could be dat

7、ed back to the end of the 19th century by some psychologists and Sigmund Freud is regarded as one of the most outstanding representatives. Trauma theory appeared in America in the early 1990s and expounded the cultural a

8、nd collective implications of trauma. This thesis contains five chapters. The first chapter briefly introduces the background of the Vietnam War, three Vietnam War movies and trauma theory. The second chapter analyzes th

9、e collective trauma represented by Travis‘ suffering from the trauma caused by the war to the citizens. The third chapter studies the formation and symptoms of the cultural trauma represented by people like Ron in the mo