從改寫理論的角度分析迪斯尼電影花木蘭的配音翻譯

1、三峽大學(xué)碩士學(xué)位論文從改寫理論的角度分析迪斯尼電影《花木蘭》的配音翻譯姓名：王世榮申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：英語語言文學(xué)指導(dǎo)教師：趙征軍20090501III ABSTRACT In China, The Ballad of Mulan enjoys great popularity and it is known to almost all. Mulan is the heroine in the

2、 story and the image she portrays has earned love from the public for nearly two thousand years. The story of Mulan has been adapted into various works of art. In 1998, Disney’ s animated

3、film Mulan which takes material from the Chinese poem The Ballad of Mulan in the Northern Dynasty was released. It is widely accepted by audiences of different ages and from different cultures

4、 and has gained great success around the world. Therefore, Mulan f ever is raised both at home and abroad. However, when this story, rewritten for a western audience, returns to its native co

5、untry, it still cannot escape the destiny of being revised once again. Taking Andre Lefevere’ s rewriting theory as a framework and dubbing translation of Disney’ s Mulan as a case, this thesis

6、 intends to explore the rewritings in the dubbing translation of Disney’ s Mulan in the Chinese social and cultural context. Lefevere views rewriting as various adjustments and modifications to

7、 original literary works, including translation, historiography, anthology and editing, etc. Translation is the most obvious type among various rewritings. He studies translation by putting translat

8、ion into political, ideology, economic and cultural backgrounds, and explores the influence on the choice of the original and translation strategies of the translator in light of the constraints

9、 of ideology, poetics and patronage. Generally, dubbing translation is viewed as a product that is purely constrained by technical factors owing to it being restricted by various technical facto

10、rs, such as shape of the mouth and lip- synchronization, etc. However, as a special kind of literary translation, it is also influenced by various social and cultural factors. This paper is a

11、 descriptive study. It compares the Chinese dubbing version with the English dubbing version of Mulan, and analyzes the influence of ideology, poetics and patronage on the Chinese version by ta

12、king various social and cultural factors into account. Through careful contrast and analysis of the dubbing of Disney’ s Mulan, this paper comes to the following conclusion: the ideology of tar

13、get culture, the poetics of target culture and patronage precipitate the rewriting of the translation of Mulan. Therefore, dubbing translation is restricted not only, to a very great degree, by