中國(guó)古典詩(shī)歌英譯在形美上的損失與補(bǔ)償策略研究

1、華中科技大學(xué)碩士學(xué)位論文中國(guó)古典詩(shī)歌英譯在形美上的損失與補(bǔ)償策略研究姓名：別芳芳申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：英語(yǔ)語(yǔ)言文學(xué)指導(dǎo)教師：劉毅20090520華 中 科 技 大 學(xué) 碩 士 學(xué) 位 論 文 華 中 科 技 大 學(xué) 碩 士 學(xué) 位 論 文 I Abstract A lot of untranslatable and half-translatable elements influence the translation of Chi

2、nese classical poems, which are concise in words, intense in images, rich in meaning, harmonious in rhyme and rhythm, and free in grammar. It can result in the losses on the rhyme, form and meaning in the English transla

3、tion. One of the heaviest losses lies in the loss of beauty in form, which consists of the succinct use of words and punctuation marks in the original text, the structure of some Chinese characters (such as pictographic

4、characters) and the direct-viewing form of the whole poem, the grammar structure, and some figures of speech concerning form (such as antithesis, pun, anagram and palindrome). Rhyme, rhythm and various rhetoric methods a

5、re all included in form in a broad sense. The present thesis studies the losses on form of English translations of Chinese classical poetry from the specific aspects of form in its broad sense. Then, is there any effecti

6、ve way to compensate the losses in form incurred in Chinese classical poetry (CCP) translation? Scholars at home and abroad have many different opinions on the definition and methods of compensation in translation. Based

7、 on the existing definitions on compensation and her own study, the author tries to define the compensation on form in CCP. By analyzing the losses of beauty in form in different translation versions of 21 Chinese classi

8、cal poems, the present research summarizes the various methods adopted by translators. These strategies include: the loss on conciseness of the structure can be compensated by keeping the number of words in each line the

9、 same as much as possible(such as in five-or seven- syllabic poetry) or by keeping the short-long pattern among different lines(such as in Ci poetry); losses on grammar structure can be compensated by complementing subje