從解構(gòu)主義視角看威尼斯商人的三個(gè)中譯本

1、南京財(cái)經(jīng)大學(xué)碩士學(xué)位論文從解構(gòu)主義視角看《威尼斯商人》的三個(gè)中譯本姓名：陳靜申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：英語(yǔ)語(yǔ)言文學(xué)指導(dǎo)教師：王克明2011-01-07IAbstract Deconstruction, born in France in the 1960s, is quite an impressive post-modern philosophical thought. Originated in philosophy, it has

2、permeated its influence on all aspects of social life such as literature, aesthetics, arts, etc. Deconstruction is also known as post-structuralism or postmodernism, which has the characteristic of deconstructing. It sys

3、tematically fights against and undoes the structuralism’s concepts of structure and meaning. Since the late 1980s and the early 1990s, deconstruction has made great impact on traditional translation and it has become mo

4、re influential in western translation studies. Deconstruction challenges the traditional translation criterion of “faithfulness”. Translation can not be completely and absolutely faithful to the original text. It

5、denies the existence of ultimate meaning in the original text and breaks the traditional duality relationship—author and translator, original text and translation. It claims the translator’s creative subjectivity and hol

6、ds that all of the texts are intertextual to each other. Theoretically speaking, deconstruction confirms translators’ creativity and subjectivity. In this sense, it will not only infuse new vigor and vitality into the tr

7、anslation research but also provide some new perspectives for translation studies. Based on the above understanding, this thesis applies the theory of deconstruction to conduct a comparative study of three Chinese versio

8、ns of Shakespeare’s comedy the Merchant of Venice translated by Zhu Shenghao, Liang Shiqiu and Fang Ping. The author will discuss and analyze the deconstructive view on meaning in translation from two aspects: subject an

9、d object. With the aim of strengthening subjectivity role of the translator, elaborating the reasonableness of three translators’ respective strategies in the light deconstruction, and further confirming the positive eff

10、ect of this theory on translation studies, especially its powerful implications for literary translation, the investigation of this thesis would also contribute to improving the quality of classical works’ translation.