地方戲曲的現(xiàn)代轉(zhuǎn)型與地域文化之建構(gòu)——以“湘劇”為中心.pdf

1、廈門大學(xué)碩士學(xué)位論文地方戲曲的現(xiàn)代轉(zhuǎn)型與地域文化之建構(gòu)——以“湘劇”為中心姓名：劉嘉乘申請學(xué)位級別：碩士專業(yè)：專門史指導(dǎo)教師：陳支平20090601ABSTRACTThedissertationsurveysthemakingofXiangOperafromthelateQingperioduntilthe1930s，whentheregionalsocietyandcultureunderwentaprocessofmoderntra

2、nsformationInthemiddleandlateQingdynastylocaloperathrivedintheexpandinginstitutionsandchangingurbancommercializationDuringthisperiod，theroleofoperainthelocalelitediscoursevacillatedbetweenvulgarentertainmentandmoraltrans

3、formationLocaleliteexcludetheoperafromtheorthodoxyculturesystem，whileatthesametimehabituallyparticipatedintheatricalactivitiesFromlateOirigtoEarlyRepublic，operawasincludedinthecategoryof‘culture’bythenewlyrisingintellect

4、ualsAcxordinglylocaloperahadgainedtheculturalrespectabilitybutstillnotgrownintoasophisticatedtheatricalsystemSince1920whenamateursinxianyinQushehadcreatedthetermofXiangju(Xiangopera)，thelocaloperawasdeliberatelyinterpret

5、edastherepresentationoflocaltraditionandculturewimitsartisticessenceandaestheticcharacteristicbeinghighlightedRespondingtothenationalismin1930s，嬲adiversegroupthesenewamateurs，playersandthegovernmentworkedtogethertoinitia

6、teaseriesofXiangoperareformsAsaresulttheinteriorbranchesoflocaloperasystemwereclarified；Xiangoperahadbecomeadistinctandeleganttheatricalform，labeledasthe‘ProvincialEssence’，aswellasamediumforrevitalizingagreatnationInthi

7、sprocess，differentsocialgroupsparticipated，competingforredefinitionandreinterpretationoflocaloperaThroughmeirconsolidationandrefinement，Xiangoperamovedtowardthreemajordirections：toanartintrinsicgenreofwidelyrecognizedcul

8、turalsignificance；toapopularformrepresentingadistinctiveregionalculture；andtoausefulvehicleservingfornationalistnarrativeandpoliticalpropagandismHopefully鷦aninterpretationofsocialandculturalhistorythisdissertationwouldad