解讀莎士比亞四大悲劇中的原型

1、沈陽(yáng)師范大學(xué)碩士學(xué)位論文解讀莎士比亞四大悲劇中的原型姓名：陳懿申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：語(yǔ)言學(xué)及應(yīng)用語(yǔ)言學(xué)指導(dǎo)教師：范革新20090520iABSTRACT William Shakespeare has been widely regarded as one of the most prominent writers and dramatists in the world. His four great tragedies Hamlet

2、, Othello, King Lear and Macbeth, which mark the summit of his dramatic creation and career, have always been the focus of numerous critics and scholars ever since they were played. Most of the research and focus have be

3、en on analyzing the themes, conflicts, characters and plots, and this thesis attempts to make an archetypal study of Shakespeare’s four great tragedies in order to probe into the “collective unconscious” hidden in the fo

4、ur great tragedies of man. This thesis consists of four parts. Chapter One is a brief introduction to Shakespeare and his four great tragedies, reviewing the definitions of archetypes, the origin and the development of

5、archetypal criticism proposed. In addition, it reveals the author’s intention to write this thesis. Chapter Two and Chapter Three are the key parts, in which the author aims to identify and analyze four main archetypes,

6、(scapegoat, evil, witch, and death) and how they function in Shakespeare’s four great tragedies in detail. Scapegoat is a typical archetype in Othello. Although Desdemona is innocent, the patriarchal society was unable t

7、o accept Desdemona’s self-control, and her death is inevitable. Therefore, she is a scapegoat of the age that she lives and a victim of man. Evil is a common archetype in literature. In King Lear, Goneril and Regan are d