【精品文檔】評(píng)《老人與?！分泻Ｃ魍懽黠L(fēng)格和手法英美文學(xué)論文_英語(yǔ)論文論文_797

1、 論文范文題目： 目：評(píng)《老人與?！分泻Ｃ魍懽?《老人與?！分泻Ｃ魍懽黠L(fēng)格和手 格和手法英美文學(xué) 法英美文學(xué)論文_英語(yǔ)論 語(yǔ)論文論文編輯 編輯：小小 小小Abstract Being distinguished from many greatest American writers, Hemingway is noted for his writing style. Among all his works, The Old Ma

2、n and the Sea is a typical one to his unique writing style and technique. The language is simple and natural on the surface, but actually deliberate and artificial. Sometimes the simple style is made a little differen

3、t. The dialogue is combined with the realistic and the artificial. The simplicity is highly suggestive, and often reflects the strong undercurrent of emotion. Occasionally, the author uses some figures of speech. Hemi

4、ngway’s style is related to his experience as a journalist, his learning from many famous writers, and most importantly, his conscientious effort in looking for a style of his own. The influence of his style is great

5、all over the world. The Old Man and the Sea is full of facts, most of which comes from Hemingway’s own experience. So the way to use facts is a very important writing technique in this novel. The facts in the novel are

6、 selected and used as a device to make the fictional world accepted. In the forepart of the novel, they are used to show the quality of Santiago’s life, and are narrated simply and naturally; while in the latter part

7、of the novel, they are used from inside Santiago’s own consciousness and form part of a whole scheme of the novel. Keywords: Facts; Simplicity; Artificial; Iceberg Theory man, with little food and sleep, has to endure

8、much pain and fights against his treacherous hand cramp. To his great excitement, on his third day at sea, he succeeds in drawing the weakened marlin to the surface and harpoons it. On his way home, he lashes marlin a

9、longside his boat because it is too big to be pulled into the boat. But, unfortunately, the come across sharks in different numbers for four times. The old man fights to kill the sharks with as much might and many wea

10、pons as he can summon, but only to find a giant skeleton of his marlin left after his desperate defense. At last, Santiago, having lost what he fought for, reaches the shore and struggles to his shack. He falls into s

11、ound sleep, dreaming of Africa, and the lions again. His struggle wins him much respect. Among many great American writers, Hemingway is famous for his objective and terse prose style. As the last novel Hemingway pub

12、lished in his life, The Old Man and the Sea typically reflects his unique writing style. This paper aims to discuss the writing style and techniques in The Old Man and the Sea. Of course, Hemingway has used many techn

13、iques in this novel, such as realism, the creation of suspense, monologue, etc. And this paper focuses especially on the language style and one of the important techniques-the way to use facts in this novel. Hemingway

14、 is famous for his language. With much care and effort, he created a very influential and immediately recognizable style. “The style he created in his early work, such as In Our Time and The Sun also Rises, was almost

15、 too good. Like the style of certain painters, it tended to become a manner, rather than a flexible way of responding to experience and conveying fresh insights through words.”1 Among all his works, The Old Man and th

16、e Sea is the most typical one to his unique language style. Its language is simple and natural, and has the effect of directness, clarity and freshness. This is because Hemingway always manages to choose words “`concr

17、ete, specific, more commonly found, more Anglo- Saxon, casual and conversational.” 2 He seldom uses adjectives and abstract nouns, and avoids complicated syntax. Hemingway’s strength lies in his short sentences and ver

18、y specific details. His short sentences are powerfully loaded with the tension, which he sees in life. Where he does not use a simple and short sentence, he connects the various parts of the sentence in a straightforw

19、ard and sequential way, often linked by “and”. In his task of creating real people, Hemingway uses dialogue as an effective device. It is presented in a form “as close to the dramatic as possible, with a minimum of e