解讀莎士比亞四大悲劇中的原型_41007.pdf

1、沈陽師范大學(xué)碩士學(xué)位論文解讀莎士比亞四大悲劇中的原型姓名：陳懿申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：語言學(xué)及應(yīng)用語言學(xué)指導(dǎo)教師：范革新20090520iABSTRACTWilliamShakespearehasbeenwidelyregardedasoneofthemostprominentwritersdramatistsinthewld.HisfourgreattragediesHamletOthelloKingLearMacbethwhichm

2、arkthesummitofhisdramaticcreationcareerhavealwaysbeenthefocusofnumerouscriticsscholarseversincetheywereplayed.Mostoftheresearchfocushavebeenonanalyzingthethemesconflictsactersplotsthisthesisattemptstomakeanarchetypalstud

3、yofShakespeare’sfourgreattragediesindertoprobeintothe“collectiveunconscious”hiddeninthefourgreattragediesofman.Thisthesisconsistsoffourparts.ChapterOneisabriefintroductiontoShakespearehisfourgreattragediesreviewingthedef

4、initionsofarchetypestheiginthedevelopmentofarchetypalcriticismproposed.Inadditionitrevealstheauth’sintentiontowritethisthesis.ChapterTwoChapterThreearethekeypartsinwhichtheauthaimstoidentifyanalyzefourmainarchetypes(scap

5、egoatevilwitchdeath)howtheyfunctioninShakespeare’sfourgreattragediesindetail.ScapegoatisatypicalarchetypeinOthello.AlthoughDesdemonaisinnocentthepatriarchalsocietywasunabletoacceptDesdemona’sselfcontrolherdeathisinevitab

6、le.Therefesheisascapegoatoftheagethatshelivesavictimofman.Evilisacommonarchetypeinliterature.InKingLearGonerilReganaredepictedarchetypallyasembodimentofmonstrousevil.WitchesinMacbethplayavitalroleasarchetypebecomeanaccel