清代行草流變及文化探源.pdf

1、摘要中文摘要藝術發(fā)展與其身處的社會形態(tài)、思想流派、審美意識息息相關。在清朝特定的時代背景、政治導向的促使下，行草書發(fā)展彰顯出異于其他朝代的審美走向。碑帖并進成為清代行草書發(fā)展的特殊形態(tài)。帖學在延續(xù)傳統(tǒng)“二王“書風的同時繼續(xù)發(fā)展，但無法企及前代的創(chuàng)作高度。清代帖學發(fā)展至館閣體，藝術趣味漸趨迷弱，一批有創(chuàng)見性的書家將碑版質拙、古樸的韻致沉潛于筆端，發(fā)展了行草書形成新的趨勢——碑學。碑學形成、發(fā)展、漸至高潮順應時代發(fā)展潮流，煥發(fā)出盎然生機。碑

2、帖合流，優(yōu)勢互補，既促進了碑學的完善與成熟，也使帖學改弦易轍，生發(fā)出嶄新的姿態(tài)，成為書法發(fā)展的必然趨勢。然而推動行草書發(fā)展的深層因素，囊括諸多領域，因而本文通過理清行草書的發(fā)展脈絡，進行渫入的文化探源，從本體意識、主體心理構成、藝術資質方面，分析書寫精神背后的根源意味。關鍵詞：清代行草書碑學帖學文化探源摘要lIIfillIIIllllll]lllIIIll11IIfillIIIIl＼I806768AbstractDevelopmento

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