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簡(jiǎn)介:中文中文4400字出處SUCH,FANKK,SUPYANEMPIRICALSTUDYOFPRACTICABILITY,HEDONICANDINTERACTIVEMEDIAFORINTENTIONTOWARDCULTURALCREATIVEAPPDESIGNC//INTERNATIONALCONFERENCEONAPPLIEDSYSTEMINNOVATION201614實(shí)用性,用性,隱藏和互藏和互動(dòng)媒體媒體對(duì)文化文化創(chuàng)意APP設(shè)計(jì)設(shè)計(jì)意圖的實(shí)證實(shí)證研究研究CHUNGHOSU,KUOKUANGFAN,POYUANSUL臺(tái)灣高雄舒特大學(xué)動(dòng)畫游戲設(shè)計(jì)系2國(guó)家云林科技大學(xué)設(shè)計(jì)研究院,臺(tái)灣3臺(tái)灣語(yǔ)言文化大學(xué)數(shù)字內(nèi)容應(yīng)用與管理系A(chǔ)MIC6033STUEDUTW,BFANKKYUNTECHEDUTW,CA0938825858GMAILCOM摘要摘要隨著文化創(chuàng)意產(chǎn)業(yè)的全球浪潮和演變,文化創(chuàng)意產(chǎn)業(yè)發(fā)展法在2010年在臺(tái)灣成功發(fā)布。這促進(jìn)了相關(guān)工藝產(chǎn)業(yè)向文化創(chuàng)意產(chǎn)業(yè)轉(zhuǎn)型,建立私營(yíng)品牌。為了促進(jìn)文化創(chuàng)意產(chǎn)業(yè)的發(fā)展,政府也加強(qiáng)了藝術(shù)創(chuàng)作與文化保護(hù),文化藝術(shù)的融合。因此,文化創(chuàng)意產(chǎn)品的應(yīng)用正在朝多元化方向發(fā)展。特別是數(shù)字創(chuàng)意APP(應(yīng)用程序)成為現(xiàn)代青少年流行的娛樂與互動(dòng)平臺(tái)。在這種情況下,了解文化優(yōu)勢(shì),整合創(chuàng)意與設(shè)計(jì),是加強(qiáng)臺(tái)灣文化創(chuàng)意產(chǎn)業(yè)文化創(chuàng)意產(chǎn)業(yè)的關(guān)鍵因素。因此,了解數(shù)字創(chuàng)意APP使用意圖和態(tài)度成為主要的研究課題。本研究旨在開發(fā)一種文化和創(chuàng)意APP,以及數(shù)字創(chuàng)意APP用戶的嚴(yán)格和經(jīng)驗(yàn)意義的數(shù)字創(chuàng)意APP使用意圖和態(tài)度規(guī)模。文化創(chuàng)意APP的特點(diǎn)首先通過文獻(xiàn)綜述,專家訪談,測(cè)量項(xiàng)目的凈化和預(yù)測(cè),以及正式問卷的可靠性和有效性評(píng)估來推廣實(shí)用性,享樂主義和媒體互動(dòng)。丘吉爾(1979)和DEVELLIS(L99L)以及相關(guān)尺度研究的建議被用來衡量數(shù)字創(chuàng)意APP使用意圖和態(tài)度。結(jié)果表明,針對(duì)文化創(chuàng)意APP設(shè)計(jì)的實(shí)用性,娛樂性和媒體互動(dòng)性的最佳預(yù)測(cè)指標(biāo)是使用態(tài)度(R20547),其次是打算使用(R20528),實(shí)用性(R20408),娛樂R2018)。本研究提出了針對(duì)文化創(chuàng)意APP設(shè)計(jì)的一般擴(kuò)展技術(shù)驗(yàn)收模式。我們提出的模型解釋了528%的行為意圖差異??傮w發(fā)現(xiàn)表明,使用態(tài)度和打算使用可能會(huì)增加其功能,作為程序意圖對(duì)文化創(chuàng)意APP設(shè)計(jì)的關(guān)鍵因素。關(guān)鍵詞文化創(chuàng)意產(chǎn)業(yè),技術(shù)驗(yàn)收模式,計(jì)劃行為理論,媒關(guān)鍵詞文化創(chuàng)意產(chǎn)業(yè),技術(shù)驗(yàn)收模式,計(jì)劃行為理論,媒體豐富理論體豐富理論介紹介紹伴隨著全球文化創(chuàng)意產(chǎn)業(yè)的發(fā)展和浪潮,文化創(chuàng)意產(chǎn)業(yè)發(fā)展法在2010年在臺(tái)灣圓滿落幕,鼓勵(lì)相關(guān)工藝品行業(yè)轉(zhuǎn)型為文化創(chuàng)意產(chǎn)業(yè),創(chuàng)造自主品牌。為了促進(jìn)文化創(chuàng)意產(chǎn)業(yè)的發(fā)展,政府也加強(qiáng)了藝術(shù)創(chuàng)作和文化保護(hù)以及文化與科技的結(jié)合。因此,文化創(chuàng)意產(chǎn)品的應(yīng)用成為多元化特別是數(shù)字文化創(chuàng)意APP成為現(xiàn)代青少年流行的娛樂與互動(dòng)平臺(tái)。數(shù)字內(nèi)容產(chǎn)業(yè)是公眾最普遍接受和青睞的。在技術(shù)不斷創(chuàng)新和移動(dòng)設(shè)備繁榮發(fā)展的今天,許多創(chuàng)意APP成為可行的設(shè)計(jì)然而,具有文化和創(chuàng)意設(shè)計(jì)的APP是罕見的。在這種情況下,它突出了開發(fā)可接受的移動(dòng)文化和創(chuàng)意APP的重要性。麥克德莫特(1991)指出,設(shè)計(jì)必須回到人文與美學(xué)的觀點(diǎn)技術(shù)只是技能援助,但不能用于指導(dǎo)設(shè)計(jì)。因此,在人文關(guān)懷中設(shè)計(jì)可接受的APP是一個(gè)主要問題。根據(jù)信息產(chǎn)業(yè)研究所(2013)對(duì)臺(tái)灣互聯(lián)網(wǎng)用戶網(wǎng)絡(luò)娛樂服務(wù)使用行為的調(diào)查,約80%的智能手機(jī)用戶下載了APP,超過50%的下載APP是娛樂APP。雖然娛樂手機(jī)APP具有競(jìng)爭(zhēng)力,但具有文化創(chuàng)意內(nèi)容的應(yīng)用仍處于發(fā)芽和發(fā)展階段。因此,可接受的文化和創(chuàng)意APP的設(shè)計(jì)和用戶行為的因素變得更加重要。通過分析基于技術(shù)接受模型(TAM),計(jì)劃行為理論(TPB)和媒體豐富理論的文獻(xiàn),擴(kuò)展了模型,構(gòu)建了使用文化創(chuàng)意APP的意圖的測(cè)量模型,整合了實(shí)用性,娛樂性,媒體互動(dòng)。二要使用文化創(chuàng)意APP的意圖需要實(shí)現(xiàn)。有大量的數(shù)字APP用戶,每個(gè)人都表現(xiàn)出不同的態(tài)度和接受APP。這項(xiàng)研究預(yù)計(jì)在接受數(shù)字文化和創(chuàng)意APP提供的服務(wù)后,可以了解用戶的態(tài)度和行為意圖。與傳統(tǒng)技術(shù)接受模型不同,數(shù)字文化創(chuàng)意APP相關(guān)思想被納入研究模式中,通過擴(kuò)展完整的技術(shù)接受模型,了解數(shù)字文化和創(chuàng)意APP用戶的行為意圖。它旨在將有限的資源投入重要的變量來實(shí)現(xiàn)最大的效率。相關(guān)文獻(xiàn)和研究假說相關(guān)文獻(xiàn)和研究假說A技術(shù)接受模型(TAM)根據(jù)DAVIS(1989)技術(shù)接受模型,用戶對(duì)系統(tǒng)的態(tài)度受感知易用性和感知有用性的影響,用戶的行為意圖受到態(tài)度和感知有用性的影響,感知有用性也會(huì)影響感知的易用性。這種模型廣泛應(yīng)用于各種關(guān)于技術(shù)接受行為的研究,并且模型中的假設(shè)已經(jīng)被驗(yàn)證了幾次(VENKATESH&BALA2008AHN等人2007MOON&KIM200L)。因此,技術(shù)接受模型的假設(shè)包括在本研究中。H5可行性對(duì)態(tài)度產(chǎn)生積極影響。H7可行性對(duì)行為意圖表現(xiàn)出積極的影響。H8使用態(tài)度顯示對(duì)行為意圖的積極影響。B計(jì)劃行為理論(TPB)AJZEN&FISHBEIN(1975)認(rèn)為態(tài)度和主觀規(guī)范是行為意圖的主要因素。從過去的研究中,TPB可以用來解釋不同類型的行為,并有很好的解釋。在樂趣過程中,與想象力,感覺,樂趣和符號(hào)意義相關(guān)的元素通常與娛樂(HIRSCHMAN&HOLBROOK,1982)一起出現(xiàn),這可能是節(jié)日或淡季的感覺(SHERRYL990)。娛樂的特點(diǎn)往往適用于行為研究(SCARPI2005SHERRYL990),并呈現(xiàn)主觀和個(gè)人內(nèi)容(BABINETAL。,1999)。從使用系統(tǒng)的角度來看,用戶認(rèn)為決策系統(tǒng)的更高“娛樂”將表現(xiàn)出更高的使用意圖(GOPAL等人,1993)。因此,本研究提出了以下假設(shè)。H4娛樂表現(xiàn)出對(duì)態(tài)度的積極影響。H6娛樂對(duì)行為意圖產(chǎn)生積極影響。C媒體豐富理論WANG,HSIEH,ANDSONG(20L2)指出了用戶感知媒體豐富度對(duì)娛樂感覺的積極影響。沙利文(L999)解釋說,互動(dòng)是信息系統(tǒng)與用戶之間的對(duì)話除了交互之外,信息系統(tǒng)用戶可以響應(yīng)信息系統(tǒng)在此過程中提供的信息和內(nèi)容。COYLE&THORSON(200L)認(rèn)為互動(dòng)性對(duì)信息系統(tǒng)的實(shí)用性的積極影響以及對(duì)使用和使用行為態(tài)度之間更好一致性的協(xié)助。H1媒體互動(dòng)對(duì)娛樂產(chǎn)生積極影響。H2媒體互動(dòng)對(duì)使用態(tài)度產(chǎn)生積極影響。圖2結(jié)構(gòu)模型的路徑系數(shù)一般來說,R2中的內(nèi)源性構(gòu)建體模型被評(píng)估為PLS中的整體擬合度(HULLAND,L999)。在圖2中,四個(gè)內(nèi)在結(jié)構(gòu)的R2顯示娛樂性086,使用態(tài)度0574,實(shí)用性0408,行為意向0528,對(duì)使用態(tài)度和行為意圖態(tài)度R2高。它代表行為意圖與四個(gè)前提和小不明原因殘差之間的有利解釋。它揭示了行為意圖和前提之間的良好的適應(yīng)性。娛樂的R2略低,可能是因?yàn)锳PP的實(shí)用性和實(shí)用性被強(qiáng)調(diào)在數(shù)字文化和創(chuàng)意APP上。因此娛樂不是數(shù)字文化和創(chuàng)意APP的主要應(yīng)用??偠灾膫€(gè)內(nèi)生結(jié)構(gòu)表現(xiàn)出有利的解釋,揭示了研究模式的良好解釋,符合科恩(1988)提出的原則。結(jié)論結(jié)論和建和建議研究結(jié)果表明,支持8個(gè)假設(shè),每個(gè)假設(shè)的路徑系數(shù)具有很高的意義,表3比較假設(shè)驗(yàn)證與相關(guān)研究,結(jié)論和建議如下。TABLE3假設(shè)檢驗(yàn)結(jié)果由于PLS沒有提供通過GOF(TENENHAUS,AMATO,&ESPOSITOVINZI,2004)“驗(yàn)證PLS模型”的整體模型擬合指標(biāo),因此有一些標(biāo)準(zhǔn)來評(píng)估模型的有效性。根據(jù)本研究路徑系數(shù)的總體效應(yīng)和解釋(R2053)的積極性,實(shí)用性,娛樂性和媒體互動(dòng)性對(duì)使用態(tài)度和行為意圖的態(tài)度提出了高度的解釋。此外,本研究中模型的適合度指標(biāo)(GOF056)與COHEN(1988)最大擬合優(yōu)度匹配,揭示了整個(gè)模型的良好評(píng)估和預(yù)測(cè)。此外,在將研究模型中使用的媒體交互性路徑添加到態(tài)度之后,解釋的方差增加(從383%變?yōu)?74%),效應(yīng)值F2019,顯示出從小到中的效應(yīng)值的增加添加路徑(COHEN,1988)。加入行為意圖的娛樂路徑后,方差解釋也增加(從306%變?yōu)?28%),影響值F2022,增加路徑后從小到中增加效應(yīng)值(COHEN,1988)。潛在構(gòu)造的Q2值大于0,揭示了路徑模型與構(gòu)造之間的預(yù)測(cè)相關(guān)性。因此,研究模型對(duì)數(shù)字文化和創(chuàng)意APP的行為意圖進(jìn)行了預(yù)測(cè),整體模型評(píng)估和研究模型呈現(xiàn)出良好的適合性。因此,本研究中提出的8項(xiàng)假設(shè)得到了顯著的支持。換句話說,當(dāng)實(shí)用性,娛樂性和媒體互動(dòng)性的因素被整合到數(shù)字文化和創(chuàng)意APP設(shè)計(jì)中時(shí),用戶將顯示出高度的使用意圖。致謝本研究得到中華民國(guó)國(guó)家科學(xué)委員會(huì)的支持,合同號(hào)為NSC14042410H366003,NSC14042622H366001CC3。參考文獻(xiàn)參考文獻(xiàn)1AHN,T,RYU,S,ANDHAN,I(2007)。“網(wǎng)絡(luò)質(zhì)量和娛樂對(duì)用戶接受在線零售,信息與管理的影響”(443),263275。2ARMSTRONG,JS,&OVERTON,TS(1977)。估計(jì)郵件調(diào)查中的無(wú)回應(yīng)偏差。市場(chǎng)研究雜志,14,396402。3BABIN,BJDARDEN,WR。和MITCH,G。(994),“工作和/或樂趣衡量享樂和功利購(gòu)物價(jià)值”,消費(fèi)者研究雜志,VOL。20,第4期,第644656頁(yè)4CHIN&NEWSTED,PR。(L999)。使用偏最小二乘法的小樣本的結(jié)構(gòu)方程建模分析。在RHOYLE(ED。),“SMALLSAMPLERESEARCH”的統(tǒng)計(jì)學(xué)策略307341。千橡,加利福尼亞圣人出版社5CHIN,WW,(L998)。部分最小二乘法結(jié)構(gòu)方程模型,現(xiàn)代商業(yè)研究方法,L5(2),295336。6CHIN,WW,(L998B)“結(jié)構(gòu)方程模型的偏最小二乘法”,“現(xiàn)代商業(yè)研究方法”,MARCOULIDES,GA。(ED。),LAWRENCEERLBAUMASSOCIATES,MAHWAH,NJ,PP。I2951336。7COHEN,J。(1988)。行為科學(xué)的統(tǒng)計(jì)權(quán)力分析。HILLSDALE,NJLAWRENCEERLBAUM。8COYLE,JR和THORSON,E(200L),“網(wǎng)絡(luò)營(yíng)銷網(wǎng)站中互動(dòng)性和鮮明度進(jìn)步水平的影響”,廣告刊物,VOL。30,NO3,PP6577。9DAVIS,F(xiàn)D。(1989),“感知有用性,感知易用性和用戶對(duì)信息技術(shù)的接受”,MISQUARTERLY,VOL。13,第3期,第3L9340頁(yè)。10FISHBEIN,M和AJZEN,I(1975)。信仰,態(tài)度,意圖和行為理論和研究的介紹,愛沙尼亞,衛(wèi)斯理,波士頓,11FORNELL,CG,JOHNSON,MD,ANDERSON,EW,CHA,J,&BRYANT,BE。(996)。美國(guó)客戶滿意度指數(shù)性質(zhì),目的和結(jié)果。營(yíng)銷學(xué)報(bào),60,718。L2FORNELL,C,&LACKER,DF。(198)。具有不可觀測(cè)變量和測(cè)量誤差的結(jié)構(gòu)方程模型。營(yíng)銷研究雜志,18(L)3950。13GEFEN,D,STRAUB,DW,&BOUDREAU,MC。(2000)。結(jié)構(gòu)方程建模技術(shù)和回歸研究實(shí)踐指南。AIS的通信,(7),178。14GOPAL,A,BOSTROM,RP。和CHIN,WW。(L993),“應(yīng)用自適應(yīng)結(jié)構(gòu)理論研究群體支持系統(tǒng)使用過程”,管理信息系統(tǒng)學(xué)報(bào),VOL。9,第3期,第4569頁(yè)。15HIRSCHMAN,EC。和HOLBROOK,MB(1982),“新聞消費(fèi)新興概念,方法與命題”,“營(yíng)銷學(xué)報(bào)”,VOL。46,NO3,PP。16HOCK,C,RINGLE,CM。,&SARSTEDT,M(2010)。多用途體育館的管理服務(wù)界面的重要性和績(jī)效測(cè)量。國(guó)際服務(wù)技術(shù)與管理雜志,L4,L88207。17HULLAND,J(L999)。在戰(zhàn)略管理研究中使用偏最小二乘法(PLS)對(duì)最近的四項(xiàng)研究進(jìn)行了回顧。戰(zhàn)略管理雜志,20(2),95204。18KRISTENSEN,K,MARTENSEN,A,&GRNNHOLDT,L。(2000)。丹麥丹麥客戶滿意度測(cè)量歐洲客戶滿意度指數(shù)方法的應(yīng)用結(jié)果。全面質(zhì)量管理,LL,L007L0L5。19MOON,JWANDKIM,YG。(200L),“EXTENDINGTHETAMFORAWORLDWIDEWEBCONTEXT”,INFORMATION&MANAGEMENT,VOL。38,第4號(hào),217230。20SCARPI,D。(2005),“專業(yè)商店的HEDONIC和功利行為”,“營(yíng)銷評(píng)論”5,NO1,PP3144。2L雪莉,JF,JR(1990),“美國(guó)中西部跳蚤市場(chǎng)的社會(huì)文化分析”,消費(fèi)者研究雜志,VOL。17號(hào),第L期,1330。22SLACK,N。(1991)。重要性績(jī)效矩陣作為改進(jìn)優(yōu)先級(jí)的決定因素。國(guó)際運(yùn)行和生產(chǎn)管理雜志,44,5975HPATHVALUETVALUERESULTSHLMIEN0434L64SUPPORTEDH2MIATT028296LSUPPORTEDH3MIPR0649045SUPPORTEDH4ENATT0292024SUPPORTEDH5PRATT0363374SUPPORTEDH6ENBI0382949SUPPORTEDH7PRBI0282459SUPPORTEDH8ATTBI023L692SUPPORTED
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簡(jiǎn)介:中文中文7000漢字,漢字,4100單詞,單詞,21000英文字符英文字符出處出處SHAOJ,LIX,LIZMICROFILMMARKETINGOFCHINESETOURISMDESTINATIONSVIASOCIALMEDIATHECASEOFSHAOXINGC//IEEE,INTERNATIONALCONFERENCEONCOMMERCEANDENTERPRISECOMPUTINGIEEE,2012159165通過社交媒體微電影營(yíng)銷中國(guó)旅游目的地通過社交媒體微電影營(yíng)銷中國(guó)旅游目的地JUNSHAO,XIONGLI,ZHAOLI通過社交媒體中的微電影對(duì)中國(guó)旅游目的地進(jìn)行營(yíng)銷越來越受歡迎。從文獻(xiàn)來看,我們對(duì)這種現(xiàn)象知之甚少。我們對(duì)紹興利用微電影營(yíng)銷活動(dòng)進(jìn)行研究,本文揭示了旅游目的地利用微電影營(yíng)銷的成功因素。研究結(jié)果表明,在微電影的擴(kuò)散過程中旅游目的地的營(yíng)銷人員都積極的參,而且無(wú)論是線上還是線下營(yíng)銷努力都是精心策劃并相互整合的。它還表明,如果旅游目的地沒有獨(dú)特的吸引力,可以通過一個(gè)浪漫的主題來給觀眾留下一個(gè)深刻的印象。最后論文給出了旅游目的地的建議和啟示。關(guān)鍵詞微電影營(yíng)銷;社交媒體;目的地營(yíng)銷一、簡(jiǎn)介一、簡(jiǎn)介從2011開始,特別是在2012年初,通過社交媒體進(jìn)行微電影營(yíng)銷已經(jīng)成為中國(guó)旅游目的地非常流行的促銷方式。目的地營(yíng)銷組織(DMOS)發(fā)布的微電影獲得了很高的命中率。這一現(xiàn)象已引起了中國(guó)旅游業(yè)的極大關(guān)注。許多組織聚集在一起討論微電影營(yíng)銷的商業(yè)模式。然而,以往的文獻(xiàn)對(duì)此描述甚少。本文對(duì)通過社交媒體的微電影營(yíng)銷這一現(xiàn)象進(jìn)行了研究。具體而言,本研究的目的旨在調(diào)查紹興古城案例,這是中國(guó)第一個(gè)使用微電影營(yíng)銷的城市級(jí)目的地,無(wú)論是線上還是線下都引發(fā)了極大的關(guān)注。本研究的貢獻(xiàn)在于揭示了微電影營(yíng)銷的成功因素并應(yīng)用于目的地營(yíng)銷,這在以前的文獻(xiàn)中并沒有研究。二、背景二、背景A中國(guó)的社交媒體到2011年十二月年底,,中國(guó)網(wǎng)民數(shù)量已達(dá)5億1300萬(wàn)。中國(guó)擁有超過4億6000萬(wàn)的社交媒體用戶。社交媒體,包括博客和微博等越來越受歡迎,因?yàn)樗鼈兊募磿r(shí)表達(dá)方式與中國(guó)人的現(xiàn)代生活節(jié)奏一致。到2011三月新浪微博有超過1億4000萬(wàn)的用戶。在中國(guó)它占據(jù)了57的市場(chǎng)份額和87的微博活動(dòng)。根據(jù)HITWISE公司監(jiān)控互聯(lián)網(wǎng)流量的數(shù)據(jù),幾年四月份,中國(guó)是世界上最活躍的微博市場(chǎng),而微博是中國(guó)社交網(wǎng)絡(luò)用戶的首選。在線訪問中點(diǎn)擊一個(gè)微博,每158次點(diǎn)擊就有一次發(fā)生在中國(guó),這是高于在英國(guó),美國(guó),法國(guó),加拿大,澳大利亞和印度的推特率。與電視、雜志等傳統(tǒng)渠道相比,社交媒體,尤其是微博,可以很快的傳播信息或視頻。視頻是中國(guó)社交媒體用戶使用微博的主要利益,除了照片和新聞外,根據(jù)中國(guó)互聯(lián)網(wǎng)的數(shù)據(jù)中心公布的中國(guó)在線視頻藍(lán)皮書,視頻終端已經(jīng)從電腦和電視擴(kuò)展到智能手機(jī)和平板電腦上。截止到2012年第一季度,中國(guó)有2億5200萬(wàn)個(gè)智能手機(jī)用戶。約有92的人訪問社交網(wǎng)絡(luò)網(wǎng)站,并85的用戶使用他們的智能手機(jī)觀看在線視頻。因此,微電影觀眾的數(shù)量是相當(dāng)多的。B中國(guó)目的地的微電影營(yíng)銷從去年開始,人們看到和認(rèn)識(shí)到許多成功的微電影營(yíng)銷活動(dòng)的效果,尤其是橘子水晶酒店十二星座系列微電影,DMOS如四川旅游局、紹興旅游集團(tuán)、杭州旅游局和南京旅游局先后在2012年上半年制作并發(fā)布自己的景觀微電影。例如,微電影中的第四集,名為愛在四川,在網(wǎng)上發(fā)布后一個(gè)月內(nèi),在四川已經(jīng)播放次數(shù)已經(jīng)超過800000次。正如預(yù)期的那樣,電影中的許多清潔會(huì)誘發(fā)觀眾對(duì)目的地的興趣和訪問的愿望。甚至有些微電影饋的機(jī)會(huì)”。A微電影案例櫻為愛情櫻為愛情是由紹興旅游集團(tuán)拍攝的第一部旅游營(yíng)銷微電影,該影片由紹興旅游目的地營(yíng)銷組織運(yùn)行。它通過社交媒體于2012年3月11日發(fā)布,作為從3月17日至4月17日在紹興舉行的第一個(gè)櫻花節(jié)的前奏。櫻為愛情講述了一個(gè)年輕人的愛情故事,等待他的女朋友,他由于車禍?zhǔn)チ擞洃?,通過訪問紹興的櫻花節(jié)回憶他們溫暖的愛。櫻為愛情有兩,每一集持續(xù)15分鐘內(nèi)。1集的拍攝時(shí)間僅3天。櫻為愛情無(wú)論是線上還是線下都引起了人們極大的關(guān)注。在第一集發(fā)布的一個(gè)月內(nèi),游客數(shù)量已經(jīng)突破了500000人次。今年五一期間,大量游客參觀櫻為愛情一個(gè)主要的拍攝地點(diǎn)沈園,已經(jīng)達(dá)到了11000人次,增幅為百分之6465。圖1優(yōu)酷網(wǎng)上櫻為愛情劇照B紹興古城紹興古城(簡(jiǎn)稱SAC)是紹興旅游集團(tuán)的微博名稱。自2011年五月,紹興古城在新浪微博已發(fā)布超過4000條微博,如紹興橋、紹興主題的食品、紹興老照片、紹興民俗等,。紹興旅游集團(tuán)利用微博和官方網(wǎng)站為游客提供旅游產(chǎn)品,為游客提供旅游服務(wù)。紹興旅游集團(tuán)下屬的游客中心、旅游網(wǎng)站、酒店和營(yíng)銷人員創(chuàng)建了微博賬號(hào),在微博中形成了一個(gè)紹興營(yíng)銷集團(tuán)。如圖2圖2紹興微博營(yíng)銷集團(tuán)C數(shù)據(jù)采集基于對(duì)KOZINETS的網(wǎng)絡(luò)志方法網(wǎng)站選擇的標(biāo)準(zhǔn),我們確定了以下要素作為識(shí)別合適的數(shù)據(jù)源的關(guān)鍵1)微博成員直接或間接討論櫻為愛情;2)訪問量最高的關(guān)于櫻為愛情帖子;3)大量的離散信息發(fā)布者;4)詳細(xì)描述豐富的數(shù)據(jù);5)由研究問題所需的類型成員之間的相互作用。這些選擇標(biāo)準(zhǔn)的基礎(chǔ)上,紹興古城在新浪微博上致力于營(yíng)銷櫻為愛情,因此選擇此案例作為數(shù)據(jù)源,分析社交媒體營(yíng)銷。由紹興古城發(fā)布的在線微博客和其用戶的反應(yīng),作為本研究的數(shù)據(jù)。2012年6月16日作為截止日期,只有在此日期之前的在線消息或評(píng)論被認(rèn)為是有效的。在這項(xiàng)研究中,使用的是由微博提供的搜索引擎,輸入關(guān)鍵詞櫻為愛情并在紹興古城發(fā)布的消息中搜索。以2012年6月16日1030作為截止時(shí)間,由紹興古城發(fā)布的70條原始微博已經(jīng)有1726條轉(zhuǎn)發(fā)消息,(最早的線程提取日期為2012年3月7日)。這些郵件的每一個(gè)記錄,
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簡(jiǎn)介:12980英文單詞,英文單詞,17萬(wàn)英文字符,萬(wàn)英文字符,5200漢字漢字文獻(xiàn)出處文獻(xiàn)出處BERNHARDTJM,MAYSD,HALLAKSOCIALMARKETINGATTHERIGHTPLACEANDRIGHTTIMEWITHNEWMEDIAJJOURNALOFSOCIALMARKETING,2012,22130137SOCIALMARKETINGATTHERIGHTPLACEANDRIGHTTIMEWITHNEWMEDIAJMBERNHARDT,DMAYS,AKHALLABSTRACTPURPOSE–THEPURPOSEOFTHISPAPERISTOSEEKTODISCUSSHOWTHENEWMEDIAREVOLUTIONCANIMPROVESOCIALMARKETINGBYBRINGINGTHE“PLACE”O(jiān)NEOFFOURP’SFROMTHEMARKETINGMIXCLOSERTOTHECONSUMERDESIGN/METHODOLOGY/APPROACH–THISPAPERDESCRIBESCURRENTNEWMEDIATRENDSRELATEDTOSOCIALMEDIAANDMOBILECOMMUNICATIONTECHNOLOGIESANDDISCUSSESTHEIMPLICATIONSOFTHESETECHNOLOGIESFORSOCIALMARKETINGBYEXPLORINGEXAMPLESOFTHEIRUSEINCOMMERCIALMARKETING,SOCIALCHANGE,ANDPUBLICHEALTHFINDINGS–THERAPIDGROWTHOFONLINESOCIALNETWORKSANDNEARUBIQUITYOFMOBILEPHONESINMUCHOFTHEWORLDOFFERSSOCIALMARKETERSENORMOUSPOTENTIALFORENGAGINGCONSUMERSINRADICALLYNEWWAYSTHENATUREOFTHESENEWCOMMUNICATIONPLATFORMSDIFFERSFROMTRADITIONALMEDIAINIMPORTANTWAYSTHATCANMAKETHEMMOREEFFECTIVEFORMARKETING,MOSTNOTABLYTHEPOTENTIALFORDEEPERCONSUMERENGAGEMENT,MULTIDIRECTIONALINFORMATIONEXCHANGE,ANDLOCATIONBASEDTRACKINGANDMESSAGINGPRACTICALIMPLICATIONS–THETRENDSDESCRIBEDINTHISPAPERARERAPIDLYANDFUNDAMENTALLYCHANGINGHOWCOMMERCIALMARKETERS,BRANDMANAGERS,ANDCONSUMERRELATIONSHIPMANAGERSENGAGEWITHTHECURRENTANDPROSPECTIVECONSUMERSSOCIALMARKETINGSHOULDLEARNFROMTHESECHANGESANDLEVERAGETHESENEWMEDIATOENGAGELARGENUMBERSOFCONSUMERSMOREDEEPLYANDCLOSERTOTHE“RIGHTPLACEANDRIGHTTIME”THANTHEYEVERCOULDBEFOREORIGINALITY/VALUE–THISPAPEREXPLORESATOPICTHATHASBEENINTRODUCEDATTHEGLOBALNONPROFITANDSOCIALMARKETINGCONFERENCEINDUBLIN,IRELANDINAPRIL2011THEDISCUSSIONSHOULDENCOURAGESOCIALMARKETERSTORECONSIDERTHEROLEOF“PLACE”ANDEXPLOREHOWNEWMEDIACANBRINGPLACECLOSERTOCONSUMERS3WORK,ORSCHOOLS,PRECISELYATTHETIMETHATDECISIONSAREMADEINOTHERWORDS,NEWMEDIACANSHIFT“PLACE”FROMRESTROOMSANDGROCERYSTORES,TOBEINGINPEOPLE’SNATURALSETTINGSBYREACHINGTHEMVIACOMPUTERSORMOBILEPHONESORDEVICESTHATAREACCESSIBLETOTHEMALMOSTANYTIMEANDANYWHERELEFEBVRE,2009THEEMERGENCEOFNEWMEDIAHASLEDTOAPARADIGMSHIFTINMANYCOMPANIES’MARKETINGPRACTICESFROMATRADITIONALBRANDOR“PRODUCTDRIVEN”APPROACHTOACONTEMPORARY“CUSTOMERDRIVEN”MARKETINGMETHODRUSTETAL,2011THISSHIFTISDUEINLARGEPARTTOTHEPERVASIVEUSEOFNEWMEDIAANDTHECAPABILITYOFNEWMEDIATECHNOLOGIESTOPUTCUSTOMERSANDCOMPANIESINCONSTANTCONTACTNEWTECHNOLOGYANDSOCIALMEDIAAREBYNATURECONSUMERDRIVENUNLIKETRADITIONALMEDIA,CONTENTGENERATEDTHROUGHTHESEPLATFORMSISLARGELYCREATED,MAINTAINED,ANDSHAREDBYANDAMONGCONSUMERSANDCOMMUNITIESBERNHARDTETAL,2011THESEWIDESPREAD,ELECTRONIC,MULTIDIRECTIONALINTERACTIONSHAVENOTBEENWITNESSEDPREVIOUSLYANDGIVECONSUMERSTHEABILITYTODIRECTLYCOMMUNICATETHEIRPRODUCTNEEDSANDFEEDBACKTOCOMPANIESTHATAREEAGERTOLISTENMANGOLDANDFAULDS,2009MOREOVER,NEWMEDIAAREOFTENPERCEIVEDBYCONSUMERSASMORETRUSTWORTHYSOURCESOFINFORMATIONFOR“PRODUCTSANDSERVICESTHANCORPORATESPONSOREDCOMMUNICATIONSTRANSMITTEDVIATHETRADITIONALELEMENTSOFTHEPROMOTIONALMIX”FOUX,2006,P389INSHORT,SOCIALMARKETERSCANNOWLEVERAGENEWMEDIATOENGAGELARGENUMBERSOFCONSUMERSMOREDEEPLYANDCLOSERTOTHERIGHTPLACEANDRIGHTTIMETHANEVERBEFORENEWMEDIAWHILEDEFINITIONSOFNEWMEDIAVARY,GENERALLYTHESEINCLUDEELECTRONICCOMMUNICATIONCHANNELSSUCHASSOCIALNETWORKINGWEBSITES,BLOGS,CHATROOMS,DISCUSSIONBOARDS,ANDCUSTOMERSERVICERATINGWEBSITES,ALLOFWHICHCANPROVIDEAMPLEOPPORTUNITIESFORTWOWAYCOMMUNICATIONBETWEENMARKETERSANDCONSUMERSUSEOFNEWCOMMUNICATIONMEDIABYCONSUMERSHASPROLIFERATEDINDEVELOPEDCOUNTRIES,OFFERINGUNPRECEDENTEDOPPORTUNITIESTOEXTENDTHEREACHANDENGAGEMENTOFSOCIALMARKETINGEFFORTSINOTHERPARTSOFTHEWORLD,USEOFCERTAINNEWMEDIASUCHASMOBILEDEVICESISALSOGROWING,PROVIDINGNEWWAYSTOENGAGEWITHCONSUMERSAROUNDSOCIALISSUESINDIVERSECONTEXTSMANYNEWMEDIA,SUCHASCELLPHONESANDMOBILEDEVICES,AREALSOLINKEDTOBOTHGEOGRAPHYANDTIMECOMMUNICATIONTHROUGHTHESEWIRELESSCHANNELSCANBELINKEDTOCONVERSATIONSANDEVENTSOCCURRINGINLIVESOCIALNETWORKSATASPECIFICTIMEANDPLACETHE
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簡(jiǎn)介:中文中文1430字,字,800單詞,單詞,4600英文字符英文字符出處出處ANTHONEYA,ROYLEJ,JOHNSONIMTHEUKCHILDRENSPUBLISHINGHOUSEADAPTINGTOCHANGEFORTHEMULTIMEDIAMARKETC//ELECTRONICPUBLISHING99,REDEFININGTHEINFORMATIONCHAINNEWWAYSANDVOICES,ICCC/IFIPCONFERENCEHELDATTHEUNIVERSITYOFKARLSKRONA/RONNEBYELPUB1999,KARLSKRONA,SWEDEN,MAY1012,1999PROCEEDINGSDBLP,199926927810THEUKCHILDREN’SPUBLISHINGHOUSEADAPTINGTOCHANGEFORTHEMULTIMEDIAMARKETAANTHONEY,JROYLE,IMJOHNSON54PRODUCTDEVELOPMENTTHERESEARCHHASANALYSEDTHEPRODUCTRANGEANDFOCUSOFSOMECHILDREN’SMULTIMEDIAPUBLISHERSFORALLTHECOMPANIESSTUDIED,ACOMMONTHEMEEXISTS,INTHATTHEIRPRODUCTIONOFMULTIMEDIAHASBEENDEVELOPEDFROMTHEIRTRADITIONALBASEOFMIXEDMEDIAKITSANDPRINTEDMATERIALFORCHILDRENANDTHEYALLSHARESIMILARPRODUCTATTRIBUTES541FOCUSALLTHEPUBLISHERSSTUDIEDDEVELOPARANGEOFPRODUCTSFROMBOOKS,AUDIOVISUALANDSPOKENWORD,THROUGHTOCDROMPUBLISHERS’CONCENTRATIONISCURRENTLYONCDROMPRODUCTION,BUTALLSTATEDTHATTHEYWEREINCREASINGTHEIRFOCUSINONLINEPUBLISHINGINORDERTOCHANGESUCCESSFULLY,THEPUBLISHERSSTUDIEDFELTTHATTHESHIFTINMULTIMEDIAFOCUSHADTOBEGRADUALANDWOULDCHANGEONLYINRESPONSETOASHIFTINTHECONSUMER’STECHNOLOGYBASETHEREFORE,THEINTERNETISCURRENTLYBEINGUSEDPRIMARILYTOCOMPLIMENT,PROMOTEORSELLEXISTINGCDROMSANDBOOKSOUPEDITOR,SHARONCOOPERSTATES,‘ITISBUILDINGONOUREXISTINGSERIES,RESOURCES,ADDINGVALUE,IEPROVIDINGARTWORK,TEACHINGMATERIALS,QUESTION/ANSWERSHEETS,ACTIVITYSHEETSTHATTEACHERSCANPRINTOUT’COOPER,1999THEVOLATILITYOFTHEMULTIMEDIAMARKETMEANSTHATTHETHREATOFNEWORSUBSTITUTEPRODUCTSSUCHASTHEDIGITALVERSATILEDISCDVD,ONLINEANDDIGITALTELEVISION,ISACONSTANTISSUEFORCHILDREN’SPUBLISHERSTHEPOWEROFTHESOFTWAREMANUFACTURERHASPREVIOUSLYCAUSEDPROBLEMATICSITUATIONS,ANDINDEEDLOSSESFORPUBLISHERSSUCHASOUPANDBBCINTHEMULTIMEDIAMARKETDUETOTHENATUREOFTHEMARKET,MANYMANUFACTURERSINTHE1990SHAVESTOPPEDTRADING,CHANGEDOWNERSHIP,ORMERGEDWITHOTHERCOMPANIESTHESEPROBLEMSHAVEBEENOVERCOMEBYPUBLISHERSDEVELOPINGRELATIONSHIPSWITHESTABLISHEDMANUFACTURERSORBYAPPROACHINGMANUFACTURERSRECOMMENDEDBYARELIABLESOURCELARGEPUBLISHERSWITHMULTIMEDIAOPERATIONSARETAKINGADVANTAGEOFTHEIRASSETSANDRESOURCESANDAREDEVELOPINGANDPRODUCINGDIGITALPRODUCTSALREADYBBCMULTIMEDIAISTHEONLYPUBLISHERINTHESTUDYWHOISDEVELOPINGTHEIRDIGITALASSETS,NOTINGTHATADIGITALTHECOSTOFINVESTMENTINMULTIMEDIAISMUCHHIGHERTHANPRINT,THEREFOREPUBLISHERSAREFINDINGTHATTHEYMUSTINCREASETHEIRINTERNATIONALMARKETFOCUS,INORDERTOGAINAGREATERRETURNONTHEIRINVESTMENTPUBLISHERSINTHECHILDREN’SMULTIMEDIAMARKETARECREATINGNEWVALUEANDREVENUEBYLICENSINGCONTENT,SELLINGRIGHTSTOOTHERPUBLISHERS,EXPLOITINGTHEIRRIGHTSHOLDINGSTOHARDWARECOMPANIESANDTOYCOMPANIESINTHEUKANDAREDEALINGINCREASINGLYWITHINTERNATIONALRIGHTSSALES英國(guó)兒童出版社英國(guó)兒童出版社嘗試向多媒體市場(chǎng)轉(zhuǎn)型嘗試向多媒體市場(chǎng)轉(zhuǎn)型54產(chǎn)品研發(fā)產(chǎn)品研發(fā)這篇調(diào)查分析了產(chǎn)品并重點(diǎn)闡述了幾家兒童多媒體出版商。這些公司的研究工作都有一個(gè)常見主題,從他們的傳統(tǒng)媒體工具和兒童印刷材料中開發(fā)出多媒體產(chǎn)品,他們有著相似的產(chǎn)品屬性。541聚焦聚焦出版商們通過書本、視聽、口頭語(yǔ)言研究開發(fā)了一系列產(chǎn)品,刻錄只讀光盤。目前出版商都將重點(diǎn)放在只讀光盤產(chǎn)品上,不過他們都表示會(huì)越來越關(guān)注網(wǎng)絡(luò)出版。為了成功轉(zhuǎn)型,出版商都認(rèn)為多媒體的轉(zhuǎn)變必須是漸進(jìn)的,必須順應(yīng)消費(fèi)者需求的變化。因此,目前主要通過互聯(lián)網(wǎng)來推廣公司現(xiàn)有的只讀光盤和書籍。牛津大學(xué)出版社編輯的SHARONCOOPER強(qiáng)調(diào),它基于我們目前現(xiàn)有的系列和資源,例如,提供教師們可以打印出來的插圖、教材、答題表、活動(dòng)表等等。多媒體市場(chǎng)的波動(dòng),意味著新型產(chǎn)品或者像數(shù)字多功能光盤和網(wǎng)絡(luò)數(shù)字電視這樣的替代產(chǎn)品的威脅,是兒童出版商將一直面臨的一個(gè)問題。包括牛津大學(xué)出版社和英國(guó)廣播公司在內(nèi)的的多媒體出版商此前曾遇到一系列棘手的問題。由于市場(chǎng)的性質(zhì),在九十年代有很多生廠商停止交易,改變所有權(quán),或者與其它公司合并。通過與建設(shè)性企業(yè)和由可靠來源推薦的接近制造商建立合作關(guān)系,出版商解決了一些問題。英國(guó)廣播公司多媒體出版商是唯一一家研究和開發(fā)數(shù)字資產(chǎn)的出版商,他們的數(shù)字模式使得他們可以向兩個(gè)方向延伸一個(gè)源于電視行業(yè),一個(gè)走向電視行業(yè)。他們也強(qiáng)調(diào)在產(chǎn)品中融入更多元素的重要性,“如果以前關(guān)注的是線下的活動(dòng),那么現(xiàn)在應(yīng)該把重點(diǎn)放在線上活動(dòng)的運(yùn)轉(zhuǎn)上。”LEE,1999規(guī)模較小的傳統(tǒng)兒童出版商還在等待時(shí)機(jī)做DVD產(chǎn)品,盡管他們目前已經(jīng)在尋找機(jī)會(huì)和制定策略(吸取只讀光盤發(fā)展的教訓(xùn))。542優(yōu)點(diǎn)優(yōu)點(diǎn)出版商正在專注于他們產(chǎn)品價(jià)值的最大化。多媒體市場(chǎng)的經(jīng)驗(yàn)已經(jīng)使出版商們意識(shí)到研發(fā)具有獨(dú)特性功能產(chǎn)品的重要性。“不要指望你的暢銷書會(huì)成為暢銷的只讀光盤?!保↙EE,1999)兒童多媒體產(chǎn)品有一些共同的特點(diǎn),例如成為系列出版物的一部分、打造品牌、有名氣的作家和插圖畫家、新穎的內(nèi)容、品格培養(yǎng)的潛能,硬件兼容性和實(shí)際可用性等等。國(guó)內(nèi)消費(fèi)市場(chǎng)的兒童多媒體產(chǎn)品也常有視野開闊、與活動(dòng)實(shí)踐
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簡(jiǎn)介:JOURNALOFSOCIALMARKETINGSOCIALMARKETINGATTHERIGHTPLACEANDRIGHTTIMEWITHNEWMEDIAJAYMBERNHARDT,DARRENMAYS,AMANDAKHALL,ARTICLEINFORMATIONTOCITETHISDOCUMENTJAYMBERNHARDT,DARRENMAYS,AMANDAKHALL,2012“SOCIALMARKETINGATTHERIGHTPLACEANDRIGHTTIMEWITHNEWMEDIA“,JOURNALOFSOCIALMARKETING,VOL2ISSUE2,PP130137,HTTPS//DOIORG/101108/20426761211243964PERMANENTLINKTOTHISDOCUMENTHTTPS//DOIORG/101108/20426761211243964DOWNLOADEDON21JUNE2017,AT0258PTREFERENCESTHISDOCUMENTCONTAINSREFERENCESTO41OTHERDOCUMENTSTOCOPYTHISDOCUMENTPERMISSIONSEMERALDINSIGHTCOMTHEFULLTEXTOFTHISDOCUMENTHASBEENDOWNLOADED6550TIMESSINCE2012USERSWHODOWNLOADEDTHISARTICLEALSODOWNLOADED2013,“MARKETINGVIASOCIALMEDIAACASESTUDY“,LIBRARYHITECH,VOL31ISS3PP455466HTTPS//DOIORG/101108/LHT12201201412012,“ARESOCIALMEDIAREPLACINGTRADITIONALMEDIAINTERMSOFBRANDEQUITYCREATION“,MANAGEMENTRESEARCHREVIEW,VOL35ISS9PP770790HTTPS//DOIORG/101108/01409171211255948ACCESSTOTHISDOCUMENTWASGRANTEDTHROUGHANEMERALDSUBSCRIPTIONPROVIDEDBYEMERALDSRM401304FORAUTHORSIFYOUWOULDLIKETOWRITEFORTHIS,ORANYOTHEREMERALDPUBLICATION,THENPLEASEUSEOUREMERALDFORAUTHORSSERVICEINFORMATIONABOUTHOWTOCHOOSEWHICHPUBLICATIONTOWRITEFORANDSUBMISSIONGUIDELINESAREAVAILABLEFORALLPLEASEVISITWWWEMERALDINSIGHTCOM/AUTHORSFORMOREINFORMATIONABOUTEMERALDWWWEMERALDINSIGHTCOMEMERALDISAGLOBALPUBLISHERLINKINGRESEARCHANDPRACTICETOTHEBENEFITOFSOCIETYTHECOMPANYMANAGESAPORTFOLIOOFMORETHAN290JOURNALSANDOVER2,350BOOKSANDBOOKSERIESVOLUMES,ASWELLASPROVIDINGANEXTENSIVERANGEOFONLINEPRODUCTSANDADDITIONALCUSTOMERRESOURCESANDSERVICESEMERALDISBOTHCOUNTER4ANDTRANSFERCOMPLIANTTHEORGANIZATIONISAPARTNEROFTHECOMMITTEEONPUBLICATIONETHICSCOPEANDALSOWORKSWITHPORTICOANDTHELOCKSSINITIATIVEFORDIGITALARCHIVEPRESERVATIONDOWNLOADEDBYAUSTRALIANCATHOLICUNIVERSITYAT025821JUNE2017PTSOCIALMARKETINGATTHERIGHTPLACEANDRIGHTTIMEWITHNEWMEDIAJAYMBERNHARDTDEPARTMENTOFHEALTHEDUCATIONANDBEHAVIOR,UNIVERSITYOFFLORIDA,GAINESVILLE,FLORIDA,USADARRENMAYSDEPARTMENTOFONCOLOGY,GEORGETOWNUNIVERSITYMEDICALCENTER,WASHINGTON,DISTRICTOFCOLUMBIA,USA,ANDAMANDAKHALLDEPARTMENTOFHEALTHEDUCATIONANDBEHAVIOR,UNIVERSITYOFFLORIDA,GAINESVILLE,FLORIDA,USAABSTRACTPURPOSE–THEPURPOSEOFTHISPAPERISTOSEEKTODISCUSSHOWTHENEWMEDIAREVOLUTIONCANIMPROVESOCIALMARKETINGBYBRINGINGTHE“PLACE”O(jiān)NEOFFOURP’SFROMTHEMARKETINGMIXCLOSERTOTHECONSUMERDESIGN/METHODOLOGY/APPROACH–THISPAPERDESCRIBESCURRENTNEWMEDIATRENDSRELATEDTOSOCIALMEDIAANDMOBILECOMMUNICATIONTECHNOLOGIESANDDISCUSSESTHEIMPLICATIONSOFTHESETECHNOLOGIESFORSOCIALMARKETINGBYEXPLORINGEXAMPLESOFTHEIRUSEINCOMMERCIALMARKETING,SOCIALCHANGE,ANDPUBLICHEALTHFINDINGS–THERAPIDGROWTHOFONLINESOCIALNETWORKSANDNEARUBIQUITYOFMOBILEPHONESINMUCHOFTHEWORLDOFFERSSOCIALMARKETERSENORMOUSPOTENTIALFORENGAGINGCONSUMERSINRADICALLYNEWWAYSTHENATUREOFTHESENEWCOMMUNICATIONPLATFORMSDIFFERSFROMTRADITIONALMEDIAINIMPORTANTWAYSTHATCANMAKETHEMMOREEFFECTIVEFORMARKETING,MOSTNOTABLYTHEPOTENTIALFORDEEPERCONSUMERENGAGEMENT,MULTIDIRECTIONALINFORMATIONEXCHANGE,ANDLOCATIONBASEDTRACKINGANDMESSAGINGPRACTICALIMPLICATIONS–THETRENDSDESCRIBEDINTHISPAPERARERAPIDLYANDFUNDAMENTALLYCHANGINGHOWCOMMERCIALMARKETERS,BRANDMANAGERS,ANDCONSUMERRELATIONSHIPMANAGERSENGAGEWITHTHECURRENTANDPROSPECTIVECONSUMERSSOCIALMARKETINGSHOULDLEARNFROMTHESECHANGESANDLEVERAGETHESENEWMEDIATOENGAGELARGENUMBERSOFCONSUMERSMOREDEEPLYANDCLOSERTOTHE“RIGHTPLACEANDRIGHTTIME”THANTHEYEVERCOULDBEFOREORIGINALITY/VALUE–THISPAPEREXPLORESATOPICTHATHASBEENINTRODUCEDATTHEGLOBALNONPROFITANDSOCIALMARKETINGCONFERENCEINDUBLIN,IRELANDINAPRIL2011THEDISCUSSIONSHOULDENCOURAGESOCIALMARKETERSTORECONSIDERTHEROLEOF“PLACE”ANDEXPLOREHOWNEWMEDIACANBRINGPLACECLOSERTOCONSUMERSKEYWORDSSOCIALMARKETING,NEWMEDIA,SOCIALMEDIA,MOBILEPHONES,4P’S,MOBILECOMMUNICATIONSYSTEMSPAPERTYPEVIEWPOINTTHETWOMOSTIMPORTANTREQUIREMENTSFORSUCCESSAREFIRST,BEINGATTHERIGHTPLACEATTHERIGHTTIME,ANDSECOND,DOINGSOMETHINGABOUTITRAYKROC,MCDONALDSFOUNDER,19041984THEMARKETINGMIXORFOURP’SISTHECENTRALCONSTRUCTTOPLANNINGANDIMPLEMENTINGSOCIALMARKETINGPROGRAMSDESIGNEDTOENCOURAGEBEHAVIORCHANGEGRIERANDBRYANT,2005ALTHOUGHPRICE,PRODUCT,ANDPROMOTIONSTRATEGIESAREUSUALLYCENTRALELEMENTSTHECURRENTISSUEANDFULLTEXTARCHIVEOFTHISJOURNALISAVAILABLEATWWWEMERALDINSIGHTCOM/20426763HTMJSOCM2,2130RECEIVED16SEPTEMBER2011ACCEPTED10FEBRUARY2012JOURNALOFSOCIALMARKETINGVOL2NO2,2012PP130137QEMERALDGROUPPUBLISHINGLIMITED20426763DOI101108/20426761211243964DOWNLOADEDBYAUSTRALIANCATHOLICUNIVERSITYAT025821JUNE2017PT
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簡(jiǎn)介:中文中文5050字,字,2800單詞,單詞,16萬(wàn)英文字符萬(wàn)英文字符出處出處HAMPTONKN,LEECJ,HEREJHOWNEWMEDIAAFFORDSNETWORKDIVERSITYDIRECTANDMEDIATEDACCESSTOSOCIALCAPITALTHROUGHPARTICIPATIONINLOCALSOCIALSETTINGSJNEWMEDIAMCPHERSONETAL,2006OTHERSPOINTTOTHEPOTENTIALFORVARIOUSINTERNETACTIVITIESTOCREATENEWSOCIALSETTINGSANDAFFORDANCESTHATWILLSUPPLEMENTORREPLACETHENETWORKBENEFITSACCRUEDTHROUGHPARTICIPATIONINTRADITIONALPHYSICALSETTINGSWELLMANETAL,2003ONEPERSPECTIVEVALUESTHEPROVENROLEOFLOCALENGAGEMENTANDFEARSTHATARISEINPRIVATISM–NETWORKSTHATAREINCREASINGLYHOMECENTEREDANDHOMOPHILOUS–COULDRESULTFROMASHIFTINTHELOCUSOFCOMMUNICATIONFROMTHEPHYSICALTOTHEVIRTUALANOTHERPERSPECTIVEEMBRACESRECENTTECHNOLOGICALINNOVATIONS,ANDQUESTIONSWHATAREBELIEVEDTOBEANTIQUATEDNOTIONSABOUTTHEIMPORTANCEOFPLACEBOTHPERSPECTIVESVALUESOCIALCAPITALANDRECOGNIZETHATDIVERSENETWORKSCONTRIBUTETOPOSITIVESOCIALOUTCOMESHOWEVER,THESEPERSPECTIVESCLASHANDFAILINTHEIRPOLARITYICTSHAVEENABLEDASHIFTFROMGROUPBASEDTONETWORKBASEDSOCIETIESCASTELLS,1996JUSTASURBANTECHNOLOGIES,SUCHASTHECARANDTELEPHONE,FREEDTHEINDIVIDUALFROMTHESOCIALCONSTRAINTSOFVILLAGELIFE,DIGITALTECHNOLOGIESMAYAFFORDSUPPORTIVECOMMUNITYSTRUCTURESTHATAREEVENLESSBOUNDED,MORESPATIALLYDISPERSED,ANDLESSDEPENDENTONPLACEARGUMENTSPERTAININGTOHOWTHISTRANSFORMATION,TOWARDWHATBARRYWELLMAN2001TERMED‘NETWORKEDINDIVIDUALISM,’INFLUENCESTHEDIVERSITYOFPEOPLE’SNETWORKSASSUMESAN‘ONLINEANDGLOBAL’OR‘OFFLINEANDLOCAL’DICHOTOMYASARESULT,EXISTINGCONCEPTUALIZATIONSOFCOMMUNITYFAILTO2004PUTNAM2000DOCUMENTSTHEDECLINEINPARTICIPATIONINVOLUNTARYGROUPSOVERTHELASTQUARTERCENTURYTHISDECLINEISOFPARTICULARCONCERN,GIVENTHATPARTICIPATIONINTHESEASSOCIATIONSISSUCHASTRONGPREDICTOROFTHEDIVERSITYOFTIESINPEOPLE’SNETWORKSERICKSON,2004RELIGIOUSINSTITUTIONS,SUCHASCHURCHES,SYNAGOGUES,ANDTEMPLES,PROVIDEAFOCUSOFACTIVITYTHATBRINGSPEOPLEINTOROUTINE,FACETOFACECONTACTWITHOTHERSWHOSHAREATLEASTONECOMMONINTEREST,BUTWHOMAYOTHERWISEVARYINMANYMEANINGFULWAYSNOTONLYISCHURCHAFFILIATIONTHEMOSTCOMMONTYPEOFORGANIZATIONJOINEDBYAMERICANSPUTNAM,2000,BUTRELIGIOUSPARTICIPATIONPLAYSAPARTICULARLYSTRONGROLEINTHEFORMATIONOFDIVERSENETWORKSELLISONANDGEORGE,1994PUTNAMANDCAMPBELL2010REPORTTHATTHEREHASBEENAGRADUALGENERATIONALDECLINEINCHURCHATTENDANCEYET,THESEAUTHORSMAINTAINTHATITISSTILLTHEMOSTIMPORTANTSETTINGFORSOCIALCAPITALINAMERICANEIGHBORHOODSAREANOTHERFOCUSFORDIVERSECONTACTBUT,INTERMSOFNETWORKDIVERSITY,KNOWINGNEIGHBORSMAYBEVERYDIFFERENTFROMEXPOSURETOPEOPLEINOTHERSETTINGSBECAUSEOFTHEHOMOGENEITYAFFORDEDBYSELFSELECTION,SOCIOECONOMICFACTORS,ANDSEGREGATION,NEIGHBORHOODNETWORKSMAYNOTPROVIDEASMUCHDIVERSITYASOTHERVOLUNTARYASSOCIATIONSGLANVILLE,2004THEREMAYALSOBEIMPORTANTVARIATIONBYNEIGHBORHOODCONTEXTANEXAMPLEISAPARTMENTBUILDINGS,WHICHTENDTOHAVELESSLOCALINTERACTIONTHANOTHERNEIGHBORHOODTYPESMICHELSON,1977THEREISEVIDENCEOFARECENTDECLINEINNEIGHBORINGANDNEIGHBORHOODTIEFORMATIONGUESTANDWIERZBICKI,1999NEVERTHELESS,FAMILIARITYWITHNEIGHBORSTENDSTOBESTRONGLYANDPOSITIVELYASSOCIATEDWITHNETWORKDIVERSITYGRANOVETTER,1973MAGEE,2008PUTNAM,2000THEREARENOSOCIALSETTINGSWHEREPEOPLE,REGARDLESSOFRACE,BACKGROUND,ANDSOCIOECONOMICSTATUS,COMEINASCLOSEPROXIMITYASTHEYDOINPUBLICSPACES,SUCHASPARKS,PLAZAS,ANDMARKETSITISTHEUNCONTROLLEDNATUREOFACCESSTOTHESESPACESTHATAFFORDSDIVERSITYALLOTHERFOCIBRINGPEOPLETOGETHERBASEDONATLEASTONELEVELOFSOCIALSIMILARITYTHEONLYTHINGGUARANTEEDTOBESHAREDBYPEOPLEINPUBLICISPLACEOFTEN,PUBLICSPACESAREWHEREEXISTINGSOCIALTIESAREMAINTAINED,BUTOCCASIONALLYTHEYAREALSOASOURCEOFSERENDIPITY–CHANCEENCOUNTERSWITHACQUAINTANCESORPOTENTIALNEWFRIENDSTHEROLEOFPUBLICSPACEINTHEFORMATIONANDMAINTENANCEOFDIVERSENETWORKSHASBEENEXTENSIVELYDOCUMENTEDLOFLAND,1998,ASHASTHEROLEOFSIMILARSPACESTHATCANBEMORERESTRICTIVETOACCESSSEMIPUBLICSPACES,SUCHASCAFéSANDRESTAURANTSOLDENBURG,1989ICTSANDNETWORKDIVERSITYSOCIALINTERACTIONSTHATTAKEPLACEONLINEAREOFTENFRAMEDINTHELANGUAGEANDLITERATUREUSEDTODESCRIBETRADITIONALFOCIASSOCIATEDWITHNETWORKDIVERSITYTHISINCLUDESANALOGIESTHATEQUATETHEINTERNETWITHPUBLICSPACESPAPACHARISSI,2002,‘THIRDPLACES’KENDALL,2002,SPIRITUALSPACESCAMPBELL,2005,ANDVOLUNTARYASSOCIATIONSKLEIN,1999DESPITEOVERTCLAIMSOFPARALLELSBETWEENICTSANDTRADITIONALSETTINGSASSOCIATEDWITHDIVERSITY,THEREISLITTLEEVIDENCETHATINTERNETUSEISEQUIVALENTTOORFUNCTIONSLIKEASETTINGTHATEXPANDSDIVERSITYINSUPPORTOFTHEARGUMENTTHATTHEINTERNETPROVIDESANEWSETTINGFORTIEFORMATIONANDMAINTENANCE,VARIOUSSTUDIESHAVEFOUNDTHATMANYPEOPLEFORMNEWTIESONLINETUFEKCI,2010INADDITION,INTERNETUSERSHAVECONTACTWITHAGREATERNUMBEROFFRIENDSANDRELATIVESTHANNONUSERS,INPARTICULARTHOSEWHOUSESOCIALASOPPOSEDTOPASSIVEINTERNETTECHNOLOGIESWANGANDWELLMAN,2010ZHAO,2006HOWEVER,SIZEDOESNOTNECESSARILYEQUATEWITHDIVERSITYTHEINTERNETMAYFUNCTIONMORELIKETHEPRIVATEHOMETHANAPUBLICSPACE–BUILDINGLARGEHOMOPHILOUSNETWORKSATTHEEXPENSEOFDIVERSETIESTIESFORMEDORMAINTAINEDONLINEMAYEVEN
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